Issue link: https://digital.copcomm.com/i/1546135
80 FA L L 2 0 2 6 I C A S Q U A R T E R L Y T H E L I G H T E R S I D E A Gator became an all-terrain sound cart for production sound mixer Antoin Cox CAS, outfitted with a Deva 24D, 12 RX, and a Mix16 (among other gear), during a shoot for Campingflight to Paradise which took place during the Down the Rabbit Hole Music Festival in the Netherlands. Ready for action, the sound team of (L-R) Zsombor Farkas (3rd), Tamas Csaba CAS (sound mixer), Gabor Mate (1st), and Viki Magyar (2nd) on the set of 3 Body Problem Season 3 for Netflix. School is in session for the sound department on the set of the Netflix comedy I Suck at Girls. (L-R) Boom op Tony McCovey, sound utility Kelsey Zeigler, and sound mixer Devin Golub CAS. On the set of Paris Paramount at Warner Bros. (L-R) boom op Patrick Martens, utility Maribeth Powers, and production sound mixer Devendra Cleary CAS—with photo bomb by video playback Max Cornejo. Chip Sovek CAS was able to record the flyover, taxi, and propellers for this one-of-a-kind B-29 Superfortress bomber "Fifi" from WWII in Hagerstown, MD. (See his "Been There Done That" submission for additional info.) Boom operator and CAS Associate Peter Deutscher AMPS, sound mixer Ken Ishii CAS AMPS, and sound utility Dave LaVenture overlooking the Manhattan skyline on the set of A Quiet Place 3, being released by Paramount Pictures July 2027. Re-recording mixers Onnalee Blank CAS and Greg P. Russell CAS just wrapped the new Spider-Man: Brand New Day film, directed by Destin Daniel Cretton (center) at Sony Studios in the Cary Grant Theatre. Amanda Beggs CAS mixing All's Fair on the roof of the Roosevelt Hotel. From the set and village of Moana, (L-R) sound trainee Sawyer Burke, sound utility CAS Associate Matt Thompson, sound mixer Whit Norris CAS, boom operator and CAS Associate Kevin Cerchiai, and Pro Tools mixer Derek Pacuk CAS. (Photo by Frank Masi)