Location Managers Guild International

Fall 2023

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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LMGI COMPASS | Fall 2023 • 43 2001 A Light Bulb Moment Beth Tate: I had gone to this fabulous event put on in part by the set decorators in the late '90s at the Pacific Design Center. It was a competition about who could cre- ate the most original doghouse. It revealed their creativ- ity in a way that was not as literal as dressing a film or TV set but showed how inspired and fun they could be when left to be themselves. I thought hmm … maybe we can do something like this for location people… Tate's spark of inspiration was about to catch fire. She began talking up the need for an organization such as a guild to anyone of us who would listen. She came up with the idea to first create an event that would catch everyone's attention by showing off our most visible asset— photography. Beth Tate: When you form a group, you want to attract people by engaging them creatively. I knew that before I could get support for the idea of a guild, I would have to come up with something that would show off what we do. I got a few people together to talk it over at the Tam O'Shanter—which was, by the way, Walt Disney's favorite hangout. Marylin Bitner: I remember being in the pub in Los Feliz. Kristi was there, Jerry Jaffe and Diane were there, I don't remember who else. We pushed a couple of tables together. We talked about the practical side of our jobs and also the creative side. Diane Friedman: Beth proposed an idea for a photo show—maybe of location photos, but also what we shoot that catches our eye as we are scouting. We tried to come up with a name, but nothing stuck. Lori Balton: Jerry Jaffe got me involved. There was a writers' strike, so I had time—number one. Number two, I believed in what we do as vital members of the creative team. Beth Tate: By the fall of 2001, we had everything lined up and were all set to call for submissions. But then 9/11 happened and we decided that we should put it all on hold until the following year. 2001 Meeting at the Tam O'Shanter, Los Feliz. The birth of In The Zone, a photo show that will feature the work of location scouts and managers Beth Tate: After the meeting, I was driving Jerry home—and he said, 'Let's call the show, In The Zone.' That refers to the 30-mile radius that we scout where a crew can drive to, and it also describes our state of mind—call it 'the Zen of scouting.' I loved the name and it really captured everyone's imagination! It was Jerry who brought in Lori Balton, who was immediately captivated by what we were trying to do. The three of us would spearhead the project.

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