Issue link: https://digital.copcomm.com/i/1501110
www.postmagazine.com 8 POST MAY/JUNE 2023 CSSMUSIC.com SIMPLY BETTER! FILM & TV MUSIC Better License - Better Value NEEDLE DROP•ROYALTY FREE•GRATIS! NEW! SUPER BLANKET ™ • More Power • More Flexibility 800-468-6874 Post-CSS-4-2022.qrk_Layout 1 4/8/22 1:07 PM Page 1 BITS & PIECES WILD CAPTURE CREATING DIGITAL HUMANS THROUGH VOLUMETRIC CAPTURE LOS ANGELES — Wild Capture (wildcapture.io) is using volumetric capture technology to create high-quality digital humans. The company's Unify Solver turns volumetric footage into standard 3D animated assets that easily integrate into VFX pipelines. Unify Solver automates volumet- ric video character interac- tion with the CG world at a fraction of the data footprint, with reductions measuring as much as 90 percent. The company's Outfit product is designed to blend digital fashion with the realism of volu- metric video by adding CG cloth to animated volumetric models. Outfit is compatible with de- signs from Marvelous Designer, Clo3D and other popular CG cloth simulation engines. And Wild Capture's Cohort Crowd is a software product that allows volumetric per- formances to be segmented and scattered throughout an environment. Users can create hundreds of randomized characters from a sin- gle performance character without duplicating data, making it extremely efficient. It works with Houdini, Maya, Clarisse and Unreal workflows. According to Louis Normandin, Wild Capture's COO, the company employs a SaaS model, and its technology is currently being used on a Netflix film. ATOMOS SUPPORTS PRORES RAW PLUG-INS MELBOURNE, AUSTRALIA — Atomos (https://www.atomos.com/) is now sup- porting Apple ProRes RAW plug-ins, an innovation that lets camera manufac- turers provide their own ProRes RAW processing pipeline to take advantage of the properties of their cameras, sensors and lenses. With the introduction of plug-ins, camera makers can provide their own unique processing by writing a single ProRes RAW plug-in that brings out their best quality and looks. ProRes RAW plug-ins will be supported in Final Cut Pro as well as many third-party applications that have licensed the ProRes RAW SDK, such as nonlinear editors and color correction applications. Users install the camera vendor's ProRes RAW plug-in and Final Cut Pro will automatically show all the new enhanced features of the supported camera. Using a ProRes RAW plug-in enables camera-specific adjustments, such as custom white balancing, noise reduction, demosaicing and lens distortion correction. Canon is the first camera maker to de- liver a ProRes RAW plug-in, with the EOS R5, R5 C and R6 Mark II cameras output- ting RAW to an Atomos monitor/recorder. Atomos has already enabled full ProRes RAW plug-in support for these cameras in the current release firmware for Ninja V, Ninja V+ and Shogun Connect. For more on "Camera & Lenses," turn to our coverage on page 26.