Issue link: http://digital.copcomm.com/i/891583
of shooting, and it doesn't matter one bit if they are not recorded photographically with the same respect and craft with which they were delivered. I lucked out again: George and Grant reassembled their superlative production team which included Barbara Hall, producer, David Webb, first AD, Stephen Mirrione, editor, and Robert Elswit, director of photography. I'm really happy Robert was there to take pictures of the sets we poured so much love and effort into. And lastly, none of this matters if you don't make a good movie. I think we did. Thank you George. ADG C D E F Jim Bissell, Production Designer Christa Munro, Art Director Lauren Polizzi, Jim Truesdale, Noelle King, Set Designers Karen TenEyck, Graphic Designer Jill Beecher, Illustrator Michael Gowen, Assistant Art Director Mike Truesdale, Art Department Coordinator Josh Lopata, Production Assistant Jan Pascale, Set Decorator A.–F. Color studies of the Gardner house living room and kitchen, modeled in SketchUp and rendered in V-Ray for both day and night. These studies were done to explore various palettes and the different qualities that could be achieved from period color combinations in day and night lighting conditions. G. Photo of the Gardner kitchen, built on Stage 24 at Warner Bros., showing Matt Damon as Gardner and Julianne Moore as Margaret. Photo by Hilary Bronwyn Gayle © 2017 Paramount Pictures. All rights reserved. G