Issue link: http://digital.copcomm.com/i/891583
This very iterative creative process allowed us to explore the potential of each setting, discover motifs, stumble on happy accidents, and refine the design on paper and in the computer rather than in front of a disgruntled construction crew. The Good Night, and Good Luck dynamic was alive and well. " " Designing Suburbicon by Jim Bissell, Production Designer A. & B. Photo of an exterior suburban street in Carson, CA, and a Photoshop sketch by Jim Bissell of how VFX extensions could transform the location into an idealized 1950s version to be featured in the film. C. An early color study for the Lodge house. Location photo modified in Photoshop by Jim Bissell. D. Photoshop color study of the Meyers' house by Jim Bissell. E. Photo of the location used for the Lodge house in Carson, CA. Photo by Hilary Bronwyn Gayle E D