Issue link: http://digital.copcomm.com/i/891583
P E R S P E C T I V E | N OV E M B E R / D E C E M B E R 2 0 1 7 5 ® Developing the visual language of Blade Runner 2049 by Dennis Gassner, Production Designer Creating a horror classic by Claude Paré, Production Designer The inspiration in designing Mudbound by David Bomba, Production Designer Finding a connection in the film Wonderstruck by Mark Friedberg, Production Designer Descending into a fifties utopia by Jim Bissell, Production Designer Working on Suburbicon by Karen TenEyck, Graphic Designer Highlighting the work of future designers by Joseph Garrity, AFI Senior Filmmaker in Residence and Ernie Majoram, AFI Senior Lecturer A Brutal World IT Takes Shape Channeling Eudora Personal Histories Designing Suburbicon The Delights of a Peanut Butter and Jelly Sandwich AFI 2017 Production Design Showcase 3 8 4 6 5 2 6 0 6 8 7 6 8 2 contents 1 4 E D I TO R' S N OT E 1 7 C O N T R I B U TO R S 2 2 N E W S 9 2 P R O D U C T I O N D E S I G N 9 4 M E M B E R S H I P 9 6 R E S H O OT S ON THE COVER: A miniature from the adventure mystery Wonderstruck, designed by Mark Friedberg. The story of a boy named Ben is told in part through a series of dioramas. In this miniature cabin made of painted wood and found objects is Ben's father working at a desk. "We tried to make sure that our dioramas depicted necessary details but wanted them to stay in a kid's dream vocabulary."