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at a glance Dallas's FAST CUTS EDITS (www. fastcuts.tv) has added 10 people to its roster, doubling its total creative staff. The moves come in response to increased cli- ent demands. The new staff members were all veterans of the editorial company N2O, founded by EP Lisa Hill, who also joins the company. The additions include editors, Flame artists, compositors, graph- ics designers, sound designers and mixers. A number of AVID-edited shows were honored at the 64th Emmy Awards recent- ly. Game of Thrones, Homeland, How I Met Your Mother, Curb Your Enthusiasm, Deadliest Catch and Modern Family all use Avid video and/or audio solutions in their post pro- duction workflows. NYC's BIGSMACK (www.bigsmack.tv) created the opening title sequence, key art and an array of marketing and promotional items for the new documentary Escape Fire: The Fight to Rescue American Health- care. The doc takes a look at the problems with the American healthcare system. PIXOLOGIC (www.pixologic.com) "Getting Started with has released See the other 1,056,964,608 Colors You've Been Missing C M Y CM MY CY ZBrush4 R4," a free PDF download that shows how to start sculpting quickly. The guide covers the Grid, QRemesher, Topol- ogy Brush, Insert Mesh, Mesh Fusion and Transpose Line. CREATEASPHERE has awarded the 2012 "DAMMY of the Year" to LA's 5th Kind, which makes digital asset manage- ment software to view, track and secure digital files, and a platform to distribute and communicate. The awards honors an outstanding individual or organization that has positively impacted the success and growth of the DAM industry/community. CMY K XVM-245W XVM-325W XVM-175W You Can't Grade What You Can't See. Most Broadcast and Professional Monitors are 8-bit displays. That means they can reproduce only 16.7 Million Colors. However, a 10 or 12 bit video camera captures at least 1.07 Billion Colors. So, when you edit or grade on an 8-bit monitor, you are only seeing a fraction of the possible colors contained in true 10/12-bit content . TVLogic's 24" true 10-bit XVM-245W has been regarded by many as the most accurate LCD monitor available. Now, we've introduced two NEW 10-bit additions to the family - the XVM-175W and XVM- 325W. With full HD (1920x1080) native resolution, high-purity RGB LED (XVM-175W/245W) and Wide- Gamut EEFL (XVM-325W) backlight sytems, and integrated 3D LUTs - all three models in the XVM-Series are ideal for color critical applications yet retain all of the broadcast features found in our popular LVM Series. Add standard dual-link and 3G 4:4:4 input + support for import and export of popular color grading application LUT formats and TVLogic's XVM-Series let's you see ALL that you've been missing. Regular Post contributor Iain Blair, hanging with Clint Eastwood in Los Angeles in September. Iain interviewed the film legend for his new movie Trouble With The Curve for Reuters TV. More News on page 47 1-855-TVLOGIC (1-855-885-6442) sales@tvlogicusa.com www.tvlogicusa.com