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the Web, you'll notice that the quality of images tend to vary from show to show. This is some- thing the Ashburns feel strongly about since the show is their calling card. "These shows, no matter if it's one person or 100 people, it should look and act like broadcast quality. That is our mission." Their ultimate goal is to fund a slate of shows. "We want to spit out several per season and ask the networks to take a look. You can grow these show's organically to a point, i.e., just for their digital distribution, and then that audience could grow organically to their network." If you check out the series online, you'll find Athena Ashburn starring in the very first epi- sode, which is a nod to her aunt, actress Inger Stevens, who starred in The Twilight Zone epi- sode "The Hitch-Hiker" in 1960. "We did this as an ode to her — Athena plays a character that was in the same emo- tional state that her aunt's character was in on The Twilight Zone, but the storyline is different. That's how we kicked the series off!" C NEEDLE BOYS: LIFE OF A TATTOO STUDIO M Y Dallas-based Elias Ellison (Facebook.com/ needleboys) shoots, edits and produces the Web series Needle Boys: Life of a Tattoo Studio. His long-time friend Clint Cummings is owner/ artist at Mansfield, TX's Sparrows Tattoo Com- pany. At press time Cummings was in NYC competing in the upcoming season of Spike's Ink Masters, a tattoo competition show. Accord- ing to Ellison, Cummings and his unique person- ality is what helps make Needle Boys compelling and very real. "The series kind of grew out of my hatred for reality-based tattoo shows," CM MY CY CMY K XVM-245W XVM-325W See the other 1,056,964,608 Colors You've Been Missing XVM-175W explains Ellison. "Clint and I know a lot of people from LA Ink, and we've heard stories and watched the show, and it's all scripted, and it's crap. They always add in drama. I know that's not how it is in real life. Needle Boys is more like Jackass in a tattoo shop than a soap opera." For Ellison, this non-funded series is very much a labor of love. He had shot some timelapse pieces for Cummings, as well as his grand opening, and then he just started hanging out at the shop. One thing led to another and Needle Boys was born. While Needle Boys features all of the artists at Sparrows, Ellison admits that Cummings is the show's main attraction. "He's been tattoo- ing for 17 years and has an ego. Clint is hard to get along with, but that helps provide the content. He gets in arguments with custom- ers, and is really big headed. The other guys at the shop are great, they just don't antagonize like he does." Because Needle Boys isn't scripted, there are times Ellison will shoot for 10 hours and only walk away with two 10-minute episodes. He You Can't Grade What You Can't See. Most Broadcast and Professional Monitors are 8-bit displays. That means they can reproduce only 16.7 Million Colors. However, a 10 or 12 bit video camera captures at least 1.07 Billion Colors. So, when you edit or grade on an 8-bit monitor, you are only seeing a fraction of the possible colors contained in true 10/12-bit content . TVLogic's 24" true 10-bit XVM-245W has been regarded by many as the most accurate LCD monitor available. Now, we've introduced two NEW 10-bit additions to the family - the XVM-175W and XVM- 325W. With full HD (1920x1080) native resolution, high-purity RGB LED (XVM-175W/245W) and Wide- Gamut EEFL (XVM-325W) backlight sytems, and integrated 3D LUTs - all three models in the XVM-Series are ideal for color critical applications yet retain all of the broadcast features found in our popular LVM Series. Add standard dual-link and 3G 4:4:4 input + support for import and export of popular color grading application LUT formats and TVLogic's XVM-Series let's you see ALL that you've been missing. 1-855-TVLOGIC (1-855-885-6442) sales@tvlogicusa.com www.tvlogicusa.com