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4 P E R S P E C T I V E | J U L Y / A U G U S T 2 0 2 5 C O N T R I B U T O R S B E T H M I C K L E is a BAFTA and Emmy- nominated Production Designer with over two decades of industry experience. Her work has earned her nominations for an Art Directors Guild Award, British Film Design Guild Award, and J O N A H M A R K O W I T Z is an award-winning Production Designer, writer and director currently designing the re-adaptation of Little House on the Prairie for Netflix and Anonymous Content. Markowitz is known for his design E V E M C C A R N E Y is a Production Designer whose work spans multiple genres, including period pieces, science fiction, dark comedy and psychological horror. A Philadelphia native, Eve attended Villanova University and graduated with a bachelor's in media and film and art history. She began her career as an Art Director in the advertising industry in New York City. It was there she found her calling after stepping onto a film set for the K AT E B U N C H is an Emmy-nominated Production Designer. She has earned five Art Directors Guild Award nominations and two wins. Born and raised in Los Angeles, Bunch's interest in television began at eight years old when her friend's parents work on series like HBO and Bad Robot's Duster, George & Tammy, Room 104 and Generar+ion, as well as feature films like Mapplethorpe, The Diary of a Teenage Girl, A Futile and Stupid Gesture, Quinceañera and more. His writing and directing work includes feature films Shelter and Political Animals, as well as episodes of Room 104, commercials, short films and more. Jonah studied film at Emerson College in Boston, art history in Amsterdam and film theory at FAMU in Prague. He resides in Barcelona. first time, and with that realization, she moved west to pursue a career in production design. With her previous work on Ryan Murphy's anthology series American Horror Stories and now, Amazon's The Bondsman, Eve has developed a reputation for atmospheric, story-driven design. Deriving inspiration from her love of art history, photography and architecture, she thrives on delving into character to create layered, compelling environments that enhance the narrative and engage the viewer. Other notable credits include A24's period Western The Ballad of Lefty Brown, Season 2 of Hulu's anthology series Into the Dark and the award-winning period sci-fi thriller Laboratory Conditions. she was named one of Glamour magazine's Women to Watch in Film. Her most recent work includes collaborating with James Gunn on the reimagining of Superman, Guardians of the Galaxy Vol. 3, The Suicide Squad and The Guardians of the Galaxy Holiday Special. Her credits further include Half Nelson, Drive, Lost River, HBO's The Deuce, Edward Norton's Motherless Brooklyn and the film adaptation of Dear Evan Hansen. got a video camera. It wasn't long before she was spending almost every weekend creating short films. She used her own bedroom as a stage to try out interesting new furniture ideas, plastering her walls with different arts and crafts and posters, as well as transforming a vintage refrigerator into a bureau. After graduating with a degree in fine arts, Bunch worked on projects at Universal Studios and Disneyland. She also developed an interest in rehabbing dilapidated buildings throughout Los Angeles and San Fransisco, fine-tuning her skills.