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J A N U A R Y / F E B R U A R Y 2 0 2 4 | P E R S P E C T I V E 1 1 C O N T R I B U T O R S K A R E N T E N E Y C K worked as a Graphic Designer and Art Director at several Philadelphia firms before studying theatrical Production Design at the Yale School of Drama. After moving to New York in 1992, she designed over 65 sets for many of the nation's top regional theatres and opera companies, including Manhattan Theatre Club, Cincinnati Playhouse in the Park, Denver Center Theatre, Austin Lyric Opera, Alabama Shakespeare Festival and South Coast Repertory. However, it was her work with Los Angeles Opera that convinced her to move to LA in 2000. Since then, she has designed graphics for over 50 movies, including Water for Elephants, Alice Through the Looking Glass, Paul Thomas Anderson's The Master, Trumbo, Rustin, Ad Astra, Ma Rainey's Black Bottom, Martin Scorsese's Killers of the Flower Moon and the upcoming Six Triple Eight and Jerry Seinfeld's Unfrosted, The Story of the Pop Tart. She has been a member of two Oscar-winning design teams—Martin Scorsese's The Aviator and Steven Spielberg's Lincoln. She also worked on the Emmy-winning Behind the Candelabra for HBO. Other Oscar-nominated projects include Passengers, Ma Rainey's Black Bottom and Lemony Snicket's A Series of Unfortunate Events. A D A M S T O C K H A U S E N grew up in Wisconsin and started out working every possible job backstage. Set construction led him to backdrop painting, scenic art and eventually, design. He attended the Yale School of Drama, moved to New York, and spent several years designing theatre and opera. He began working in film Art Departments where drafting eventually led to Art Direction for Synecdoche, New York; Margot at the Wedding and The Darjeeling Limited. Wes Craven gave him his first opportunity to design a movie— 2008s My Soul to Take. Since then he's worked with Steve McQueen on Twelve Years a Slave and Widows, Noah Baumbach on While We're Young, as well as several films with Wes Anderson and Steven Spielberg, including The French Dispatch and West Side Story. He's been nominated for numerous awards, winning an Oscar, BAFTA, and ADG Award for The Grand Budapest Hotel. SUBSCRIBE TO Rates: $40 per year (6 issues) $60 foreign (incl. Can. & Mex.) $32 student (with current ID) To subscribe, contact: Sandra Howard sandra@adg.org 818 762 9995 Your subscription includes digital access at perspective.adg.org PERSPECTIVE