Issue link: https://digital.copcomm.com/i/1514626
great job finding the right 1960s props and cars. Pete and his team had a great eye for things that weren't too flashy, and cars that didn't feel too new or clean. One of the funniest last-minute requests was for the period appropriate tube of Preparation H, which was a last-minute addition, but one that I sticks out and says a lot in the scene in which it is used. By the end of the film, we got in such a groove. It felt like most of the crew was exhausted, but our hearts felt full. We all could sense we were making something special, and that we could all be proud of. In a time where there is so much division and darkness in our world, it's great to make a film that highlights the importance of finding common ground. We need movies like this right now to remind us that we aren't alone, even when we feel like we are, and that's something I imagine my dad would agree with and be proud of seeing. Thank you to everyone who helped me pull this off, I am forever grateful and proud of what we accomplished. ADG Ryan Warren Smith, Production Designer Jeremy Woolsey, Art Director Anthony Raymond, Set Designer Nate Carlson, Graphic Artist Markus Wittmann, Set Decorator F. MRS. CRANE'S LIVING ROOM. SET PHOTO. G. STREET WITH PICTURE CARS. STOREFRONT AND GARAGE PLUGS BUILT TO HIDE EMPTY MODERN GLASS STOREFRONTS. SET PHOTO. H. MOTEL ROOM. SET PHOTO. I. CHRISTMAS TREE LOT. SET PHOTO. F H G