Issue link: http://digital.copcomm.com/i/990311
the Empire range alone. We simplified this down to seven, with or without sheen, and three whites, all established in past films. For this whole design process to run smoothly, effectively and most importantly creatively, good relationships are key. A collaborative approach between all departments not only makes for a more harmonious and enjoyable working atmosphere in what can often be very demanding circumstances, but also ultimately results in a B more efficient moviemaking mechanism. Good interpersonal relationships are often at the heart of this, be it within the extremely talented Art Department crew, or with crew from other departments. Regarding our immediate Art Department sphere that's under our spotlight here, Neil Lamont sums this up nicely. "The relationship between the four key individuals, the Production Designer (Neil Lamont), the Supervising Art Director (Al Bullock), A. DRAFTING OF THE MAIN STRUCTURE FOR SAVAREEN BY ALEX BAILY DRAWN IN RHINO AND VECTORWORKS. B. PHOTO OF THE SAVAREEN LOCATION ON THE CANARY ISLANDS BY JOHN WILSON C. LOCATION PHOTO FOR THE FALCON LANDING AREA ON THE CANARY ISLAND LOCATION BY NEIL LAMONT. D. FALCON LANDING AREA ON SAVAREEN. CONCEPT ART BY VINCENT JENKINS. PHOTOSHOP PAINT-OVER OF A LOCATION PHOTO. A