Issue link: http://digital.copcomm.com/i/990311
J U L Y / A U G U S T 2 0 1 8 | P E R S P E C T I V E 1 WHO'S TALKING IN THIS ISSUE Michael Wylie, Production Designer of LEGION – page 53 The mental institution in which he's held may not even exist. The thirty-year- old woman who is his best friend is actually a fifty-year-old dude. You know what? Let's have some fun with this! Robert Strohmaier, Art Directer of THE ORVILLE – page 100 We constantly ask ourselves what are the materials used to build an Explorer Class Vehicle in 2418. From the unique wallcoverings to all the metallic paints, laser-cut plexi for food synthesizers and computer chips for engineering panels, fiber optics for interior controls and not a visible fastener to be found. Maxine Shepard, Production Designer of BLACK-ISH – page 62 Anyone who's ever worked in television knows, what happens in the pilot, doesn't always stay in the series. Set decorator Monica Monseratte and Production Designer Johnny Breedt discussing the work station dressing on the set of Replicas. As we usually do, the Art Department produced a white card model of the location, along with the set elements we proposed to install there. We find this the most effective method of roundtable discussions… Neil Lamont and Al Bullock on SOLO: A STAR WARS STORY. page 45