Issue link: http://digital.copcomm.com/i/834282
who's talking in this issue P E R S P E C T I V E | J U LY / AU G U S T 2 0 1 7 1 DEVORAH HERBERT, Production Designer on GRACE AND FRANKIE – page 45 "We all really like you and love the look you presented, but the show runner isn't sure you're funny enough. Can you come back for another meeting and be funnier?" DANIEL NOVOTNY, Production Designer on THE ARRANGEMENT – page 70 "I carried my board down a chaparral path and descended the cliffs to access the surf below...standing on the sand, directly under the spot where I had built a virtual Malibu dream house." JUDY BECKER, Production Designer on FEUD: Bette and Joan – page 73 "Reality doesn't always look real if you just reproduce it, so there's a fine line where to tweak reality, where to use poetic license and where not to." MEGHAN ROGERS and OANA MILLER, on UNDERGROUND – page 35 "The boarding house was described by the writers as, 'a stationmaster's dream, with cavernous tunnels and hideouts within walls. Something akin to the Bat Cave of its time.'" DAVE BLASS, Production Designer on PREACHER – page 29 "I have spent many years building decrepit scenery; it's harder than it looks. Finding the right balance in the patina of water stains, cracked plaster and grime is what keeps me up at night." Center, left to right: Rodger Maus, Emmy ® winner and Oscar ® nominee (page 98). Scenic Artist Delmer J. Yoakum works on hand-painted costumes for MY FAIR LADY (page 12). ADG Field Representative Doreen Austria on the picket line (page 96).