Issue link: http://digital.copcomm.com/i/765720
PRODUCTION: TITRE: CHEF DECORATEUR: REALISATEUR: DESSINATEUR: NOM DU FICHIER: NOTES: DATE D' IMPRESSION: ECHELLE: UNITE DE DESSIN: FORMAT PAGE: WHY NOT PRODUCTIONS JACKIE DATE DE TOURNAGE: PABLO LARRAIN JEAN RABASSE DATE DE REVISION : FORMAT A0 PAYSAGE 600 mm 244 mm 126 mm 5400 mm 4400 mm 4495 mm 890 mm 22 mm 4064 mm 4108 mm 325 mm 1550 mm 839 mm 3302 mm 95 mm 190 mm 244 mm126 mm 370 mm 310 mm 680 mm 610 mm 890 mm 970 mm 450 mm 290 mm 1236 mm 150 mm 305 mm 803 mm 685 mm 430 mm 258 mm 295 mm 76 mm 76 mm 76 mm 20 mm 545 mm 659 mm Naissance de la courbe 1270 mm Replaquage en 22 mm Grille d' aeration 636 / 150 (prévoir une défonce. ) Courbures: 2X souplex 7,5 mm Forme en découpe numérique. 2032 mm R= 2032 R= 2054 R= 775 mm R= 1100 mm 214 mm FENETRE WEST - ELEVATION FENETRE WEST - COUPE 604 mm RETRAIT / 16 MM RETRAIT / 16 MM Thierry Poulet WEST SITTING ROOM FENETRE MOBILE 16/10/2015 1/10° MM Top: A digital stage plan of the second- floor White House family quarters drawn by Set Designers Pauline Faisant and Aurelia Michelin. Bottom, left to right: The large Palladian windows at ends of the main second-floor corridor anchor the East and (shown here) West Sitting Rooms. The working drawing for the moveable unit was created by Art Director Thierry Poulet. reprinted for us the design from her bedroom that they still had in their archives. One of the owners, Patrick McBride, came himself to deliver the fabrics in Paris. We contacted them again to print the fabric for the living room at Hyannis Port. Patrick sent me a picture of Jackie on a deck chair in the Cape Cod garden, showing pillows printed of a shell design. I thought it was good to fi nd this design in the interior decoration of the house (a subliminal reference). Patrick's grandmother was in touch with Jackie Kennedy and had printed for her some fabrics for the White House and Hyannis Port. We also found the blue fabric with cherub design in Kennedy's bedroom from the same company. While spotting at Harrods in London, we found bedspreads and linens that I thought looked the same as Jackie's bedroom and bathroom photos. After contacting the French house, I found that the founding member had immigrated during the 1930s to Los Angeles, and had dressed with silk the greatest cinema stars of the time. She provided some of the linens of the White House, and created in 1960 the big embroidered tablecloth for the State Dining Room table that we see on every dinner photo. The lampshades of almost every light in the White House were tailor-made in off-white shadings, more or less warm/cool colors, chose according to the color and the atmosphere of the room where we had to use them. Some important pieces such as the chandeliers and girandoles, the East Room consoles and chandeliers, and the dining room chandeliers had to be made, except a few ones that were made in Hong Kong by a Louis XVI workshop. We then had to rent some very high-quality props from a few prestigious antique dealers such as Steilitz in Paris and Farley in London. Jackie used to work with two American decorators, Henry Francis du Pont and Sister Parish as interior designers, but also with Stéphane Boudin from Maison Jansen in Paris. This house nicely lent us the real sample books used for the White House, which allowed us to reprint some fabrics. Six upholsterers worked for more than three months, but at one time there was a team of more than thirty people that worked in this division, plus the furniture manufacturers, painters, decorators, set dressers, assistants, trainees, ripers, etc. At the end of the day, more than two hundred and fifty people worked in the construction team at the peak of the activity, with a total of 7000 workdays. We attached a lot of importance to the accessories details (Jackie's favorite newspapers, personal effects,