Issue link: http://digital.copcomm.com/i/1124104
F E A T U R E T I T L E G O E S H E R E | P E R S P E C T I V E 8 1 you might want or wish to have at a later time." If the answer to their questions regarding available and essential resources is negative, then it is their professional and moral responsibility to provide their production's advance team with the essential preproduction time, experienced professional leadership and resources from wherever they may have to be brought in from in order to ensure the production's successful outcome. Of equal importance are the application of leadership and the setting of a moral compass that only the studios can assure. They must be the ones to monitor and safeguard that a constructive covenant and strong partnerships exist between their production's senior stakeholders, both producing managers and department heads, especially when working on distant locations where clear lines of communication and mutual trust are essential to the overall success of their productions. ADG Thomas A. Walsh, Production Designer Bo Johnson, Lawrence Kim, Art Directors Tyler Tunney, Set Designer Ray Goto, Storyboard Artist Andrea Johnson, Graphic Designer Hind Al-Shaneen, ADG-PA Bryony Foster, Set Decorator F E D