Issue link: https://digital.copcomm.com/i/74632
See the other 1,056,964,608 Colors You've Been Missing For its film projects, like Wrath of the Titans, Method LA calls on BlueArc storage. that's pretty seamless." With a 24/7 global operation artists need to be kept up to date constantly. "We proac- tively move assets worldwide," says Krish- namurti. "When a new version of an asset is generated and a user at another facility is using an older generation of that asset, the new version proactively migrates so it's at that location if they need it." For the upcoming Life of Pi, animators and lighters in all the Rhythm & Hues facili- ties worked on the film's tiger, orangutan, zebra, hyena and whales, and did a lot of digital water work. "You'd be hard pressed to tell what was rendered where," Krish- namurti says. The film is the first show to extensively use the new data center in Tai- wan, which has a large amount of render nodes. "We have more compute power in Taiwan than in the rest of our facilities com- bined," he notes. Life of Pi was done in stereo 3D, which increases storage needs, he points out. "Our storage needs are up significantly in the last two years. We increased our compute power about 16-fold and our storage about 3.5-fold. It's just amazing what people can do with the technology, but the side effect is that the amount of storage required is staggering. In the effects water simulations for Life of Pi, a single sim file took up 3TB of storage." He says employees frequently quip that he should run out to a local store and buy additional 3TB drives for $150. "Sure you can buy cheap," says Krishnamurti. "But you need cheap, scalable and high-performance, and you get to pick two." On a more serious note he says Rhythm & C M Y CM MY CY CMY K XVM-245W XVM-325W XVM-175W You Can't Grade What You Can't See. Most Broadcast and Professional Monitors are 8-bit displays. That means they can reproduce only 16.7 Million Colors. However, a 10 or 12 bit video camera captures at least 1.07 Billion Colors. So, when you edit or grade on an 8-bit monitor, you are only seeing a fraction of the possible colors contained in true 10/12-bit content . TVLogic's 24" true 10-bit XVM-245W has been regarded by many as the most accurate LCD monitor available. Now, we've introduced two NEW 10-bit additions to the family - the XVM-175W and XVM- 325W. With full HD (1920x1080) native resolution, high-purity RGB LED (XVM-175W/245W) and Wide- Gamut EEFL (XVM-325W) backlight sytems, and integrated 3D LUTs - all three models in the XVM-Series are ideal for color critical applications yet retain all of the broadcast features found in our popular LVM Series. Add standard dual-link and 3G 4:4:4 input + support for import and export of popular color grading application LUT formats and TVLogic's XVM-Series let's you see ALL that you've been missing. Hues is "always looking for cheaper and more viable solutions. We're always R&D'ing storage; it would be nice to have more options. We're also looking at cloud solutions to see where the future is going to be. " 1-855-TVLOGIC (1-855-885-6442) sales@tvlogicusa.com www.tvlogicusa.com