© 2 0 1 6 T W E N T I E T H C E N T U R Y F O X
F O R Y O U R C O N S I D E R A T I O N
ACADEMY AWARD
®
NOMINEE
B E S T S O U N D E D I T I N G
AND
B E S T S O U N D M I X I N G
C A S A W A R D N O M I N E E
M O T I O N P I C T U R E - L I V E A C T I O N
P R O D U C T I O N M I X E R - C H R I S D U E S T E R D I E K
R E - R E C O R D I N G M I X E R - J O N T A Y L O R ,
C A S
R E - R E C O R D I N G M I X E R - F R A N K A . M O N T A Ñ O
R E - R E C O R D I N G M I X E R - R A N D Y T H O M ,
C A S
S C O R I N G M I X E R - C O N R A D H E N S E L
A D R M I X E R - M I C H A E L M I L L E R ,
C A S
F O L E Y M I X E R - G E O R D Y S I N C A V A G E
"WE FEEL NOT JUST AMBUSHED BUT SURROUNDED,
PERHAPS MOST OF ALL BY THE ASTONISHING SOUND DESIGN,
WHICH TRANSFORMS THE MUSIC OF BABBLING BROOKS,
RUSTLING TREES, THUNDEROUS HOOFBEATS, FALLING
BODIES AND ANGUISHED SCREAMS INTO A WILD
SYMPHONY OF WOODLAND CHAOS."
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