DEPARTMENT
www.postmagazine.com
27
POST NOVEMBER 2015
N E X T
I S S U E
The world of post production is
large, but Post magazine brings
it to you in a comprehensive and
easily-manageable way.
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SPACE CLOSE:
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I SS U E DAT E :
JA N UA RY
MARI KOHN
818. 291.1153
mkohn@postmagazine.com
GARY RHODES
631. 274.9530
grhodes@postmagazine.com
LISA NEELY
818.660. 5828
lneely@copcomm.com
WILLIAM RITTWAGE,
PRESIDENT/CEO
818. 291.1111
brittwage@copcomm.com
CO N TACT U S A B O U T
P R I N T & O N L I N E
A DV E RT I S I N G
O P P O RT U N I T I ES :
P O S T M A G A Z I N E . C O M
www.postmagazine.com
POST
AUGUST
2015
PLUS:
EMMY
CONTENDERS
BLACK
SAILS
&
THE
LAST
SHIP
REVIEW:
JVC'S
4K
GY-LS300CHU
SPECIAL
REPORT:
4K/HDR—PART
I
FUN
FACTOR
MUSIC
VIDEOS
THAT
CHALLENGE
&
INSPIRE
www.postmagazine.com
POST
SEPTEMBER
2015
PLUS:
EVEREST
DIRECTOR
BALTASAR
KORMAKUR
PRIMETIME:
FOX'S
EMPIRE
VFX:
MARVEL'S
AGENTS
OF
S.H.I.E.L.D.
REVIEW:
EIZO
COLOREDGE
4K
MONITOR
SPECIAL
REPORT:
4K/HDR-PART
II
MONSTER
MASH
WORLDS
COLLIDE
IN
THE
CG
HOTEL
TRANSYLVANIA
2
THE OSCARS
A look at 2015's
top prospects for
editing, VFX, directing,
animation and more.
VFX FOR SPOTS
Post houses step in to
help marketers tell their
stories and sell their
brands.
AUDIO FOR INDIE
FILMS
Lower-cost tools, in the
right hands, can help
budget-strapped
indie
projects.
SPECIAL SECTION:
DRONES
A report on this high-
profile technology
and its role within
production and post
communities
WHAT'S ONLINE
Oscar Spotlight
