Issue link: https://digital.copcomm.com/i/1535880
M OT I O N P I CTU R E S O U N D E D I TO R S 9 Peter Albrechtsen MPSE The Sonic Legacy of David Lynch Peter Albrechtsen is a Danish sound designer, re- recording mixer and music supervisor working on both Scandinavian and international feature films and documentaries. Credits include Evil Dead Rise, the acclaimed indie film Omaha and the Oscar nominated documentaries A House Made of Splinters and The Cave. He is a member of the MPSE Board of Directors and has been nominated for seven Golden Reel Awards. Chris Assells MPSE The Day of the Dolphin Chris Assells has worked on five Oscar winning sound jobs, won seven Golden Reel Awards and one lonely Emmy. Some of those awards were hard earned and some were "right place at the right time" awards where he admittedly contributed little. He is now happily retired, no longer has to pad his resume and spends too much time thinking about mortality and the reason we are all here. He has no answers. He takes full responsibility for any false memories, manufactured dialogue, tortured grammar and not using the Oxford comma. David Barber MPSE MPSE Presents The Marvelous Mrs. Maisel David Barber is a supervising sound editor and re-recording mixer. During his 22-year career, he has logged over 225 credits in feature films and television shows. He is a 15-time nominee and 3-time winner of the MPSE Golden Reel Award and is the current President of the Motion Picture Sound Editors. Matias Caldarella MPSE Tech Corner Matias Caldarella is an Argentine sound designer, dialogue editor, and re-recording mixer for features & TV with nearly two decades of experience. He has also contributed to countless trailers and branding projects, continuously pushing his sound post-production career and skills forward with new tools and challenges. Steve Lee Disney Sound Effects Legend: Jimmy Macdonald Steve Lee has had a career in film sound for over 30 years, contributing sounds and voices to many films, including The Lion King, Apollo 13, and A Goofy Movie. He is featured in several documentaries sharing sound history, including RoboDoc: The Creation of RoboCop and The Wilhelm Scream. He is the founder of The Hollywood Sound Museum, which recently completed its six-month residency in Glendale… and is currently developing a new installation in Hollywood. Visit HollywoodSounndMuseum.org to learn more. Charles Maynes MPSE Breaking & Entering Charles Maynes is a working sound designer and sound editor and is a member of the MPSE Board of Directors. His recent work includes the Paramount+/CBS dramatic series SEAL Team. Korey Pereira MPSE •The Boom Box Post Journey •The University of Texas Puts Sound in Focus Korey is the founder of Soularity Sound, a post-production sound company based in Austin, Texas. He also works with Soundcrafter and other Austin-based crews. Editorial credits include works directed by Richard Linklater, Robert Rodriguez, and David Gordon Green, among many others. Recently, he updated his studio to support Dolby Atmos mixing and has expanded into 360 spatial audio for VR. Since 2018, Korey has also been a lecturer at the University of Texas at Austin, Department of Radio, Television and Film, where he teaches post sound. He has been an active member of MPSE since 2017. Victoria Rose Sampson MPSE Aging in an Industry of Youth After a successful and award-winning 40+ year career as a supervising sound editor with over 200 feature film credits, Vickie Sampson uses her time for teaching, writing, directing, and playing with grandchildren and horses. She still edits sound for indie filmmakers and friends who need it. She has an Emmy, four Golden Reel Awards; has worked on Oscar-winning films for sound and is a member of AMPAS, MPSE, Advisory Board and member of Women in Media, and Alliance of Women Directors. Vsampson@aol.com Arno Stephanian MPSE CAS A Day in the Life of a Foley Mixer Arno Stephanian is a multi-award-winning sound professional with 14 years of experience in post-production sound. Known for his expertise in sound editing, and mixing, and his uplifting personality, he has contributed to more than 195 films and TV series as well as games, and other media. With his technical skills and creativity as a jazz musician, he collaborates with leading teams to deliver exceptional results on challenging projects. His recent projects include Shōgun, showcasing his highly detailed Foley mixing/editorial; Ted Lasso, and Zootopia+ (Foley supervision, recorded at Skywalker Sound). Bernard Weiser MPSE Bridging the Gap EIPMA President and Supervising Sound Editor, Bernard has been Nominated for 4 Emmys for HBO's Deadwood: The Movie, True Detective, and twice for Ted Lasso. Bernard has also been nominated for a BAFTA Award for his work on Michael Mann's Ferrari. M PS E CO N T R I B U TO R S