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PEOPLE www.postmagazine.com 36 POST MAR/APR 2025 KEVAN BEAN Production studio Identity in New York City contin- ues to ramp up its tabletop capabilities and expand its roster of talent with the recent addition of tabletop director Kevan Bean. Bean is skilled in high-speed cinematography, liq- uid dynamics and in-camera effects. Throughout the course of his career he has contributed to Super Bowl spots and commercials for McDonald's, Subway, Burger King and Olive Garden. ELIZABETH MCCLANAHAN Sound and music production company Machine in New York City has appointed Elizabeth McClanahan senior sound designer/mixer. With over a decade of experi- ence in audio post, McClanahan brings a refined ear, technical expertise and a passion for audio storytelling. McClanahan's journey in sound began in her home- town of New Orleans, recording jazz musicians before relocating to New York to work in audio post. She spent nine years at Heard City and four years at Barking Owl, building a resume that includes work for Google, Pepsi, Airbnb and ESPN, while also handling sound design and mixing on award-winning films. Her musical background, combined with a love for experimentation and modular synthesis, influences her design approach. ANDREW GLASMACHER Natick, MA's Genelec Inc. has appointed Andrew Glasmacher sales manager – install & professional products. The appointment is part of an ongoing initiative by the loudspeaker manufacturer to bolster its US sales force. Glasmacher is a seasoned sales and marketing professional with a diverse background that spans more than two decades. Prior to joining Genelec, he served as a regional sales manager for a commercial AV manufacturer's representative firm, overseeing territory sales management in Indiana and Michigan. He also worked as a key account representative assigned to the Sweetwater office, where he was re- sponsible for product training, creating marketing campaigns and assets, man- aging inventory and collaborating with various departments within Sweetwater. MARCEE SANCHEZ Producer Marcee Sanchez has joined the team at Abandon Editorial in West Hollywood, CA, bringing a background in fashion and experience assisting in architectural projects, with a focus on interior finishes. She approaches post with a deep appreciation for collaboration and a leadership style that prioritizes kindness and the people behind the work. Her produc- ing experience includes projects for Expedia, Hilton, Apple and Montefiore. After an early career in fashion, Sanchez found her calling in commercial production. In 2021, she joined Cosmo Street Editorial as a production coordi- nator, and later worked her way up to associate producer before becoming a fully-fledged producer. NEIL HUXLEY Emmy-nominated filmmaker Neil Huxley has joined the creative production company Lord Danger in Los Angeles for US commercial representation. Huxley is known for his ground-breaking work in visual ef- fects. He spent 18 months working alongside direc- tor James Cameron on Avatar as visual effects art director, leading a team of more than 80 artists, who contributed to more than 300 shots. Huxley sees himself as a filmmaker dedicated to serving story and emotion through every medium he uses. He points to his viral, Emmy-nominated live-ac- tion promo for the famed UFC fight between Ronda Rousey and Holly Holm. He's also found success in the video-game universe, blending live-action and CG for trailers for projects such as Transformers: Fall of Cybertron, Iron Man VR, and multiple DLC expansion trailers for Dead By Daylight. JENNA LE NOURY, ROSANNE CRISP Creative studio Rascal in London has expended its team with the signing of executive producer Jenna Le Noury (bottom photo) and senior VFX pro- ducer Rosanne 'Rose' Crisp (top photo). The duo began producing as a team back in 2017 and have worked with brands that include Toyota, Adidas, Virgin Media, Booking.com, Meta and Uber Eats. Most recently, they worked together at a start-up post studio, playing an integral part in establishing processes. Le Noury and Crisp count TUI's Safety: A Global Film, with Leo Burnett and Missing Link's Alicia Macdonald, as one of their collaborative highlights, along with Burger King's Bundles of Joy. In the realm of short films, both also call attention to Rise from di- rector Shirzan, which examines Iranian women's rights in times of political and social uprising. TRISH FULLER, ARIELLE ZAKOWSKI Work Editorial recently named rostered editor Trish Fuller (top photo) creative partner in the US. Hailing from Scotland and based out of the New York office, Fuller's editorial sensibilities and global perspective have made her an integral part of the Work Editorial team. Fuller began her career in London, working at Whitehouse Post, and then followed the company to New York City. She joined Work Editorial in 2016 and has amassed a credit list that includes work for Duly Health, CareCredit, FanDuel, DoorDash, Albertsons, Walmart, 23&Me, IBM, McDonald's, Volkswagen and Chase Bank. She also cut a Huggies spot that aired during the Super Bowl. Work also welcomed back editor Arielle Zakowski (bottom photo). She was part of the team when the edit house first opened its doors in Los Angeles back in 2015. After stepping away to focus on narrative projects, she has returned to the studio for commercial representation. POST MAGAZINE (ISSN 0891-5628) is published bi-monthly by Post,LLC, a COP Communications company, 620 West Elk Avenue, Glendale, California 91204. 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