Location Managers Guild International

Winter 2024

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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LMGI COMPASS | Winter 2024 • 49 THE BARBIE LOCATION DEPARTMENT Robin Citrin/LMGI - SLM Darrin Lipscomb - 2nd Unit Manager Leslie Thorson/LMGI - KALM Dorion Thomas/LMGI - KALM Miranda Carnessale/LMGI - KALM Sonia Villerias/LMGI - KALM Robert Swartwood/LMGI - KALM Julianne Eggold - KALM Michael "Malibu" Bryant - KALM David Kaufman - KALM Juanita-Victoria Goode - ALM Jonathan Diaz - ALM goons. "If you're going to do a classic L.A. movie, get a car chase in there," Greenwood laughs. A CREATIVE ADVENTURE As Barbie's production tale unfolds, one idea resonates: We don't get cinematic moments like this without a team of people who are fully creatively invested in every aspect of the story. Citrin's artistry in facilitating the film's gritty, textured Los Angeles landscapes offers a vital counterpoint to the airless plasticity of Barbie's pop-Eden. As fans reposted behind-the-scenes photos, threw themed parties and replicated Barbie and Ken outfits for Halloween costumes before the film's release, it became clear that fiction was bleeding into real reality too: People were interacting with the movie like it was a toy itself, seeing themselves reflected in its characters' journeys, extrapolating its themes to their own events and spaces and lives, and becoming invested not just in viewing the finished product but in the craft, intent and mythology behind building Barbie's cinematic world. "I was really proud that we were able to pull off some crazy stuff," Thorson says. "Robin had to do amazing things and in terms of location managers, she just does not give up or take no for an answer. I had a chance to see her style of working and I really appreciated her. She's one of the best location managers I've ever worked with." "Barbie resonated with so many different demographics, I'm thrilled to have been associated with it," Citrin concludes. "It's one of the top movies that I've worked on and it's been a fabulous experience. All the key people were great, I had a fantastic team. Greta was very welcoming and you wanted to do what you could for her. I've been fortunate to work with some talented, fabulous directors and production designers who are really visionary. Over so many years, it doesn't happen all the time, but when it does, it's incredibly rewarding."

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