Issue link: https://digital.copcomm.com/i/1512899
PEOPLE www.postmagazine.com 38 POST NOV/DEC 2023 MEGHAN ROSS In Culver City, CA, Ateliere Creative Technologies, the developer of cloud-native media supply chain solutions, has appointed Meghan Ross as its new di- rector of partner relations. With more than 17 years of experience in building successful partnerships, Ross brings an extensive background in channel marketing to her new role. She will be responsible for developing and executing partner strategies, identifying new business opportunities and managing the company's relationships with key partners. In addition, Ross will play a critical role in driving growth for Ateliere's cloud-native media solutions and strengthening the company's position in the market. ALLY GONDECK Editorial and VFX company—Nomad,—in New York City, continues to grow with the latest addition of editor Ally Gondeck. A multi-faceted editor, Gondeck has worked on spots for Sony, Lexus, BMW, New Balance, and Tommy Hilfiger, as well as on projects for artists such as Ciara, Camila Cabello, Willow Smith, Yungblud and Big Sean. Gondeck's first project with Nomad is Sabrina Carpenter's video for "Feather" — a track that has already clocked over 100 million streams. VINCENT TAYLOR Blue Table Post in Brooklyn, NY, continues to expand its creative collective with the recent addition of colorist Vincent Taylor. Taylor began his career in Australia as a cinematographer, earning 12 awards from the Australian Cinematographer's Society. His journey crossed over from the camera to color, where he is able to use his lighting and storytelling skills in the post production arena. Taylor's inaugural tenure was at Deluxe, working in commercial and drama television, as well as on numerous music videos, documentaries and theatrical projects. Following Deluxe, he ran the commercial color department at MPC in Shanghai for three years. He then moved to New York, working at Chimney North America before returning to MPC. He now lives in Los Angeles, where he most recently worked with Harbor Picture Company. Taylor is available to work via Blue Table Post's Brooklyn studio, and at two locations in LA — Santa Monica's LightBenders and Fancy Film in Silver Lake. KATE SOCZKA, ERIC ARGIRO Uppercut recently welcomed Kate Soczka to its Atlanta studio as executive producer. Her exper- tise and diverse experience in the production and advertising industries will provide end-to-end creative guidance and support to the post house's creative network. Soczka moved to Atlanta from Chicago in 2020, where she cultivated her creative career, including serving as head of production at Carbon. Most re- cently, she held tenure as the video operations lead for The Coca-Cola Company Creative Studios. In New York, editor Eric Argiro has joined the studio's roster of talent. Argiro has cut commercials for Covergirl, Ulta Beauty, Amazon, New Balance, Fiat, Honda, Facebook, Jose Cuervo and Sam Adams, as well as music videos for Tom Petty, Phish, Pussy Riot, Leon Bridges and Zayn. He's also the co-editor of the Netflix docu-series Emergency: NYC. TARJAS WHITE Creative music studio—HiFi Project¤has brought Tarjas White onboard—as—executive producer—out of its Los Angeles location. White brings more than a decade of experience as a music producer, with a compre- hensive background in music production that spans advertising and entertainment. In his new role, he will spearhead bicoastal growth for the company, while leveraging his passion for music and content. White has held roles at a number of studios, including Droga5's Second Child and Audio Network. He brings expertise in production, composition and business development. GARY BROZENICH VFX supervisor Gary Brozenich has joined Framestore, based out of the visual eˆects studio's London headquarters. Brozenich spent 22 years at MPC, working on box oŸce tentpoles that included Transformers: Rise of the Beasts, The Lone Ranger, Maleficent: Mistress of Evil and two installments of the Pirates of the Caribbean franchise. Brozenich is passionate about solving complex creative and technical chal- lenges. His training in fine art and early career as a sculptor and model maker informs his approach.—He is a three-time collaborator with Ridley Scott, working across Kingdom of Heaven, The Last Duel and All the Money in the World. He also partnered with Joachim Rønning twice on Disney's Maleficent: Mistress of Evil and Pirates of the Caribbean: Salazar's Revenge.—Most recently, Brozenich worked with director Steven Caple Jr. to bring depth and clarity of character to the Autobots in Transformers: Rise of the Beasts. NICK SOKOLOFF Sibling Films, with oŸces in New York and Los Angeles, has added Nick Sokoloˆ to its roster of directors. Sokoloˆ is an editor-turned-director who is passionate about connecting with people and telling stories that capture their inner narratives on-screen. Early in his career, Sokoloˆ cut trailers for Disney, Paramount and Universal. He then moved into docu-series, editing in the action sports world for brands that include Red Bull and the World Surf League. His latest directorial film, Osmosis, chronicles the dichotomy of security guards who work at The Metropolitan Museum of Art and other New York museums by day, and are also dedicated artists by night. LOIC DUBOIS Animation and production studio Lobo, which has locations in New York City and Sao Paulo, Brazil, has promoted Loic Dubois to chief growth oŸcer. The announcement solidifies a two-decade-long relation- ship with Dubois, and reflects the studio's continued growth and evolution. Dubois' connection to Lobo can be traced back to 2000, when he started as a broadcast producer. His quickly progressed from small spot production to assisting and producing major work alongside chief creative oŸcer/founder Mateus De Paula Santos. In the ensuing years, Dubois' responsibilities steadily increased, and he would eventually take on the role of international executive producer. In his new role as CGO, Dubois will wear many hats, including overseeing the European, Middle Eastern, Asia and North American markets, with a focus on identifying emerging trends and technolog- ical advancements that present new opportunities.