Issue link: https://digital.copcomm.com/i/1512183
62 M PS E . O R G substantial profits or allow to expand the scope of production. However, significant and interesting projects do receive strong government support and there are quite a few international joint ventures. These projects are festival-oriented and aimed at international distribution. So, the market is evolving and we are gradually getting acquainted with more and more people interested in collaboration. Kazakhstan has many good filming locations and internationally recognized professionals, including renowned stunt teams like Nomad Stunts (known for Mulan, Marco Polo, Conan the Barbarian) and action studio Kun-Do. We are currently working on Zhaza project where Kun-Do Studio choreographed the action scenes and we are tasked with veering away from genre conventions to find a very realistic, unconventionally exaggerated and art house sound solution. In addition to the development of Dear Silence Studio and continuing our work on international projects, we plan to launch the sale of sound libraries under Fundamental Sound, which we are actively recording. We also have plans to actively participate in Kazakhstan's educational environment, like we do in Incubator and have already held three extensive masterclasses at the Kazakh Academy of Arts, where there's a department of sound design. We are also establishing contacts with private film schools to train upcoming sound artists. We recently took part in the Eurasian Film Market in Almaty, which adds another aspect to our involvement and promotion in the industry. Previously, when our facility was based at Mosfilm in Russia, our editing and premixing studios were located next to their sound Foley studio at Kazakhfilm, Almaty. 2023, Kazakhfilm © Foley studio control room at Kazakhfilm, Almaty. 2023, Kazakhfilm © ADR studio at Kazakhfilm, Almaty. 2023, Kazakhfilm ©