Issue link: https://digital.copcomm.com/i/1512164
8 P E R S P E C T I V E | N O V E M B E R / D E C E M B E R 2 0 2 3 C O N T R I B U T O R S De Palma's Phantom of the Paradise (1974) and Carrie (1976); and David Lynch's The Straight Story (1999) and Mulholland Drive (2001). Fisk worked with Paul Thomas Anderson on There Will Be Blood (2007), for which he was nominated for an Academy Award for Best Production Design, and on The Master (2012). In 2015, Fisk worked with Alejandro G. Iñárritu on The Revenant and received his second Academy Award nomination for Production Design. Most recently, Fisk worked on Killers of the Flower Moon (2023), directed by Martin Scorsese. S H O N A H E AT H has created some of the most memorable fashion photography of the past two decades. Born in Scotland in 1974 but brought up in the English countryside, she studied fashion and textiles at Brighton University before moving to London. Shona started her career working for Dazed and Confused and Vogue magazine where she began by making sets out of paper. From that came a snowball of creative projects and the beginning of her long- term collaboration with photographer Tim Walker. Over the past 20 years, Shona has worked with photographers such as Tim Walker, Jack Davison, Julia Hetta, Jackie Nickerson, Inez and Vinoodh, Paolo Roversi and Nick Knight. Making a pivotal contribution to iconic fashion images and contemporary storytelling, she has conjured unforgettable imagery for Bjork, Harry Styles, Goldfrapp and Cate Blanchett. Her work includes editorials, advertising and design collaborations with fashion houses such as Acne, Dior, Hermes, Marni, Prada and Jo Malone London. Her work designing the V&A's Tim Walker Wonderful Things exhibition has been one of the museums most successful photographic exhibition shows to date, which ended its world tour at the Getty Museum LA. One of her biggest achievements to date is working as the Production Designer alongside James Price for Poor Things, directed by Yorgos Lanthimos. Shona draws inspiration from the people and the art around her. She stretches and distorts motifs from the natural world to create her own unique landscapes. Often taking a humorous approach to everyday domestic items or the concept of luxury, her work has a lightness and sense of fun for which she is renowned. G AV I N B O C Q U E T is a graduate of Newcastle Polytechnic, where he studied product design, and the Royal College of Art in London, where he received a master of design degree in 1979. He started his film career as a space equipment designer on Saturn 3, working his way up to draughtsman and Assistant Art Director on The Elephant Man, Return of the Jedi, Cry Freedom and Empire of the Sun. One of his first Art Direction credits was for Dangerous Liaisons. Bocquet considers Production Designers Stuart Craig and Norman Reynolds to be his mentors. His first Production Design role on a feature was for Soderburgh's Kafka, followed by The Young Indiana Jones Chronicles, for which he received one Emmy Award and two nominations. He continued his working relationship with George Lucas on many projects, including Radioland Murders, Star Wars: The Phantom Menace, Star Wars: Attack of the Clones and Star Wars: Return of the Sith. In between the Star Wars films, he also worked on the Robert De Niro- produced Adventures of Rocky and Bullwinkle and the Rob Cohen film xXx. In recent years, he has worked as Production Designer on Lee Tamahori's xXx: State of The Union, Matthew Vaughn's Stardust, Roger Donaldson's Bank Job, Rob Letterman's Gulliver's Travels, Bryan Singer's Jack the Giant Killer, Duncan Jones' Warcraft and Tim Burton's Miss Peregrine's Home for Peculiar Children. Recently, Bocquet has designed several streaming projects, including Netflix shows Mute and Jingle Jangle, and the AppleTV+ series Silo. Bocquet has also been the Production Designer on many commercials and in 2004, won the BTAA UK Commercial Art Director of the Year Award. He has been inducted as a Senior Fellow of the Royal College of Art in London. J A C K F I S K is known for his collaborations with Terrence Malick, designing his first eight films, including Badlands (1973); Days of Heaven (1978); The Thin Red Line (1998) and The Tree of Life (2011). His other Production Design credits include Brian