Location Managers Guild International

Summer 2023

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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LMGI COMPASS | Summer 2023 • 49 VISUAL SCOPE AND LARGE SCALE "As soon as we moved into active prep, the scale of the show hit me," Mo laughs. "Requests started pouring in from all over and my role transitioned into planning, logistics, deploying and supervising our department's human resources, negotiating contracts and most importantly, maintaining efficient communication with other departments." Overall, the roles in the department were fairly fluid. If there was an area where support was needed, the team would jump in and assist and, by the end of the show, the department had grown to 22 full-time LMs, ALMs and an additional 18 to 20 location PAs on set each day. "There were no recurring locations on the show, so we were always prepping, shooting and wrapping at the same time," says Nolan, "and that overlap was continuous for nearly a year. Often we had about 80 people in our department and frequently over 100." A BRAVURA OPENING SEQUENCE At the start of the series, we're in 2003, years before Joel will meet Ellie, and we get to experience the beginning of the infection as the fungus takes hold of his neighbors and turns them into crazed zombies. In a pulse-pounding five-minute-plus sequence, Joel, his daughter and brother jump into their truck and make a high-speed escape from their once quiet cul-de-sac in "Austin, Texas." "We scoured just about every town, neighborhood and street in the province to find the right home and the right street for that," Jason says. In fact, the team looked at more than 300 houses and, when they finally found the house and street they would end up using in an area called High River, they all knew it was the one. There was another factor at play that is important to mention here: the real-life pandemic. "People didn't really want to deal with a film crew and COVID," Paino says, "and that's if they were even home in the first place." A lot of residents had fled towns and cities, so there were places the team were interested in where the residents just never turned up. Jason would have someone from his team sitting on a kind of stakeout hoping the owners would eventually come home—but they often didn't. Finding the hero house on the cul-de-sac in High River was only the beginning… Photo courtesy of HBO/Liane Hentscher

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