Issue link: https://digital.copcomm.com/i/1495092
T H E D I G I T A L WAV E | P E R S P E C T I V E 7 3 Igor Knezevic My thesis (as an architecture student at TU Vienna, Austria) was for a bioclimatic tower. Fully modeled in 3D in 1995, this design was my own testing ground that I try to update every 10 years using whatever new 3D CG tech is available. The version done in 2003 won 1st prize at International 3D Award for architectural visualization. I was able to join the ADG working on a film, In Time (PD: Alex McDowell). It was an amazing intro to world building. The film was shot on locations in LA by none other than Roger Deakins, so I was illustrating keyframes on top of the DP's photos of real LA locations. I kept experimenting with the design process and explored parametric/generative design workflow using tools such as Rhino and Grasshopper3D. That exploration resulted in making some outlandish- looking 3D-printed objects, which were exhibited and published internationally. It also led to a gig on a film Passengers (PD: Guy Hendrix Dyas). Generative 3D tools I used on my 3D-printed objects were used here to develop forms and parametric exoskeleton of the spaceship Avalon. B. STAR TREK PICARD LIBRARY. C. PICARD LIBRARY RUINED. ILLUSTRATIONS BY JOSEPH COMEAU IV USING TWINMOTION AND PHOTOSHOP. B C