of the ADG, was incredible to work with. His
knowledge of the physical and digital set spaces
made budgeting and building specific pieces
without getting redundant that much easier.
He helped to figure out how to make a platform
drop from the heavens to the stage floor with a
small chunk of foreground flooring, and without
hydraulics.
Mel's favorite set was La Befana's house. "I
want to live in here!" she would often exclaim.
The stonework was a mix of marshmallow and
striped hard candy-looking stone, adding some
playfulness to what would be the "scariest" of all
the sets. Once again, Maile nailed the dressing with
dried herbs, bottles of ingredients and spices, and
the quintessential cauldron that made soups as
well as potions. This set had the ability to be dark
and foreboding, as well as light and playful, as the
arc of the witches' character changed throughout
the series.
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