Issue link: https://digital.copcomm.com/i/1490572
S H E - H U L K S T O R Y B O A R D S | P E R S P E C T I V E 1 0 3 is a great feeling because they have the ability to bring unexpected moments and creative flourishes. "In the case of She-Hulk: Attorney at Law, because it is first and foremost a comedy and a human story rather than an action show, many of the bigger action sequences were written without much detail. For example, it might say: "They fight" on the page, so it was up to me and the cinematographer and the board artists to build these sequences out and fill. I love their input and, even when I want to go in a different direction than the one they've posited, it's always great to see someone else's ideas. "My favorite thing about boarding is that although something might work on the page, sometimes when you start to bring it to life visually, you can see flaws that you might have overlooked and it is a helluva lot easier to fix problems during prep than it is on the day when the train has already left the station! "Finally, I feel the storyboards are the ultimate communicator. By making fully fleshed out boards, I bring every department/my entire crew together to execute a seamless vision. Storyboarding is the best and probably my favorite preparatory tool!"