ADG Perspective

November-December 2022

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simulate an office environment. Jade Martinez, an emerging Production Designer, joined the team as a PA and commented on how amazing that tool was for creating that openness. Jade Martinez: "Slack made the whole process more collaborative because we were all aware of all of the issues at play. We could all put our minds together and address it. Sometimes it's all a mystery in the Art Department but Slack made it all transparent." Throughout the process, I noticed how much this team really supported each other. In recapping, all they wanted to do was talk about how much they loved working together and how symbiotic it all was. Rachael Ferrara: "Our set decorator coordinator, Stacee Hammond, worked her buns off clearing and finding artwork in a large-enough format to use. She found a wallpaper version of the Botticelli painting used in the ballet studio that Adrian Valdez and Kate Bujnova of the paint department made into a seamless giant painting!" C A. SEW LOVELY BOUTIQUE. SHOT ON LOCATION AT THE STUART, PASADENA. B. MARY FLORENCE BROWN INSPECTING A WINDOW DISPLAY AT SEW LOVELY BOUTIQUE. MODELS WOULD CYCLE THROUGH ACTIVITIES IN THESE DISPLAYS TO SHOW NEW PRODUCTS TO THE WOMEN OF VICTORY C. VICTORY SIGNS. GRAPHIC LAYOUT BY ALEX MAZIEKIEN. D. VICTORY SIGNS. SET PHOTO. E. VICTORY TROLLY. THE EDGE OF VICTORY. SHOT AT INDIAN CANYONS, PALM SPRINGS. PRODUCTION STILL. A B D

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