Issue link: https://digital.copcomm.com/i/1485934
around from spot to spot, comping proofs, drinking coffee and getting sunburnt. Ultimately, we captured a beautiful image that we could bring to Matty, who helped us dial in the saturation and clarity of the image. The experience, artistry and collaborative spirit of this team gave us the confidence to push the envelope and take on the challenge of bringing this courageous set to life." Our team wanted to build a jewel box for the actors in which they would be incredibly comfortable. Set decorator Rachael Ferrara and shopper Ashley Bussell filled the house with dimmable glass practicals. All of the surfaces were immaculate to touch thanks to the incredible construction team led by Anthony Syracuse with expertise by Lou Boggs and Jon Kazunaga. All of the glass walls and windows were gimbal-able and created by Motion Picture Glass. The Paramount moulding shop provided some expert craftsmanship on all of the built-ins, which were then stained by Adrian Valdez and his team. Even with a limited budget, money was spent on the softest high pile carpet, even if a cheaper version might look the same on screen. Rachel and I knew the decision would encourage blocking to use the floor. Drawers were also fully stocked to make the space feel as real as possible. It's something we learned to do from smaller indie jobs where improv was crucial. I asked Rachael to speak to some of her choices: Rachael Ferrara: "We often use a sconce in lieu of artwork. We like to play a game of how many practicals can we squeeze into a frame. I used shiny gold articulating can lights throughout the main set, including the backyard roof eaves. They are likely most noticeable in the bar. We also put two big crystal chandeliers in the bathroom set (along with sconces and can lights)." Rachael is one of the best in the industry. Not only is she impeccable with decor, she also has a secret language she shares with her crew. "Is that guy partying" means something is crooked. "Too party at the club?" is asked if something is A. DAYTIME SOFT DROP BACKING. WE HAD BOTH DAY AND NIGHT BACKINGS MADE. SET PHOTO B-E. ALICE AND JACK'S HOUSE. SET PHOTOS. A B D C E