SERVING THE INDUSTRY SINCE 1986
VOL 28 · NO. 1
DREDD 3D
departments
2
EDITOR'S LETTER
New Year's resolutions
By Randi Altman
2
POST SCRIPT
Reinventing Smoke 2013
By Marc Loftus
6
VISUAL
28
ON-SET
Zero Dark Thirty DP Greig Fraser
By Christine Bunish
DIRECTOR'S CHAIR
David Chase: Not Fade Away
By Iain Blair
PEOPLE
Keeping tabs of the industry's
movers & shakers
REVIEW
Divergent Media ScopeBox
By Drew Lahat
48
REVIEW
Matrox's MC-100
EFFECTS
VFX FOR SPOTS
Effects studios help keep
audiences interested during
commercial breaks.
18
By Marc Loftus
BRAVE
T E C H N O L O G Y
34
WORKFLOW
SNL: cutting humor, cutting-edge
technology
By Randi Altman
47
By Iain Blair
12
44
Once again, Post offers its best
guesses for gold.
BITS & PIECES
What's new in post
18
OSCAR PICKS
NOT FADE AWAY
22
6
16
A W A R D S
GADGETS & GEAR
Making your life easier without
breaking the bank.
By Randi Altman
By Heath Firestone
A U
38
D
I O
AUDIO FOR INDIES
22
GOLDCREST POST
Budgets can't stand in the way of
producing great sound.
ON OUR COVER
By Jenifer Walden
DAILY NEWS UPDATES
WEB EXCLUSIVES
EDIT: Scripting and automation
By Drew Lahat
38
BUSINESS: BigStar: creative
strategy and production
This Month In
Quentin Tarantino's latest, Django Unchained from The Weinstein
Company, is described as "a classic spaghetti-style western with
a southern flair" by supervising sound editor Wylie Stateman of
Hollywood's Soundelux. Director Tarantino wanted a soundtrack
with an analog feel, so all the sound design elements are from
naturally-occurring sources. Stateman and sound editor Dror
Mahar created their own reverbs and echoes in three different
locations: Death Valley, Zion Canyon and Monument Valley. To
read more about the audio post for Django Unchained and other
independent offerings, turn to page 38.
www.postmagazine.com
Post0113_001-tocRAV7finalread.indd 1
WORKFLOW: Leverage and
Marquis' X2Pro
•
Social games are big
business for all studios
•
Films getting attention
during awards season
•
3D in domes continues
to evolve
Post•January2013
1
12/21/12 2:32 PM
