Post Magazine

January 2013

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Best Picture/Director/Editor Photos to Use DON BURGESS/FLIGHT: Flight's DP Don Burgess worked closely with Light Iron early on: "I like to set the whole look of the film before we even start principal photography." BEHN ZEITLIN/BEASTS OF THE SOUTHERN WILD: Beasts of the Southern Wild director Behn Zeitlin teamed with DP Ben Richardson on this beautifully shot indie. O USE ONLY IF NEEDED -ARGO/BEN AFFLECK SHOTS: Argo's Ben Affleck on visual effects: "People are used to seeing VFX being used for Harry Potter's wand or magic, but they're truly invisible in this film and that made it all far more convincing." BEN LEWIN/THE SESSIONS: The Sessions director Ben Lewin: "Usually the big post challenge for me is getting over the shock of seeing the first assembly. But this time I was very moved by it." KATHRYN BIGELOW/ZERO DARK THIRTY: The Oscar-winning director chose two editors for Zero Dark Thirty: William Goldenberg and Dylan Tichenor. SACHA GERVASI/HITCHCOCK: Hitchcock director Sacha Gervasi: "I love post because it all comes together in the edit and post." Pamela Martin cut on Avid. VISUAL EFFECTS Got any shots from DARK KNIGHT you can use? DAN GLASS/CLOUD ATLAS: Method's Dan Glass Cloud Atlas: "We used Maya, Houdini and Nuke — standard gear, but the result is definitely not a standard look." LIFE OF PI SPIDERMAN ANIMATION BRAVE WRECKIT RALPH LORAX RISE OF THE GUARDIANS HOTEL TRANSYVLANIA FRANKENWEENIE: Director Tim Burton on Frankenweenie: "I was very passionate about it being B&W and doing it stop-motion, because the language of B&W is so emotionally rich and immediately takes you back to all those classic horror films." Post0113_022-26-OscarsMV3FINALREAD.indd 22 12/21/12 4:12 PM

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