Issue link: http://digital.copcomm.com/i/929567
The executive offices of Gravity Pictures represent a very different side of Hollywood. Light, bright and super sleek, with minimal high-end dressing and oversized pieces, creating a world that feels a little heightened and removed from reality. The set was very practical, consisting of a corridor and one large room that could be converted into two smaller rooms with the overnight installation of a dividing wall. The Polo Lounge-inspired Bel-Aire Lounge was one of the biggest head scratchers. What was intended to be a one or two episode two-wall set, evolved into a virtual jungle of greens, moving walls and camera trickery. Sections of outdoor patio were continually added for more walking shots, creating waiting areas and places to hide, and areas to tuck into for intimate, underhanded conversation. It was all about camera angles and catering to the gaps. The best way? Drag over a palm. The palms themselves were all locally sourced, which was not an easy task, nor was storing and keeping them alive, but they successfully achieved the look of the iconic Hollywood landmark. The Next Chapter: The production is back now for season two, and is lucky enough to be an all-LA production, snagging a couple of stages at the Paramount lot. Everyone is thrilled to be back on a show with such scope and good energy. Despite the challenges of season one, our exceptionally seasoned and flexible crew executed a great-looking project. We jump into this new season knowing we are a group who can roll with the punches, work together, really like each other and, most importantly, create a product we are all really proud of. ADG Elizabeth H. Gray, Production Designer Valerie Green, Samantha Englender, Jamie Hall, Ian Scroggins, Ryan Suchor, Art Directors Andrew Leitch, George Maya, Steven M. Saylor, Set Designers Kevin Egeland, Graphic Designer Kelly Berry, Edward McLoughlin, Set Decorators A. Gravity Pictures executive office set, a multifunctional set which is shown here as Brandon's office, built at Albuquerque Studios. B. Reflected ceiling plan as drawn by LA Set Designer Andrew Leitch. C. April's office at Gravity Pictures built at Albuquerque Studios. D. & E. The "Bel-Aire Lounge" built on stage 1 at Albuquerque Studios. C D E