Issue link: http://digital.copcomm.com/i/747534
P E R S P E C T I V E | N OV E M B E R / D E C E M B E R 2 0 1 6 63 Maria Djurkovic, Production Designer Peter Rogness, Supervising Art Director Lek Chaiyan Chunsuttiwat, Jeremy Woodward, Art Directors Tobin Ost, Assistant Art Director Marissa Sher, Graphic Artist Brooke Peters, Set Designer Carla Curry, Sophie Phillips (Thailand), Set Decorators Part 3 – NEW YORK CITY The original shooting dates in New York were sabotaged by the papal visit and its massive restrictions on shooting in the city, so filming was postponed by a week and I finally got to go home to London, before returning for the last leg of locations. Next week, the production is shooting a few additional bits for the movie in Los Angeles and I am writing this from my roof terrace in Budapest, where I am currently working on another movie, Red Sparrow. Possibly the biggest challenge has been to relinquish my control freakery and accept that there is only so much that I can do via email. ADG Top and above: Two more of Ms. Djurkovic's pencil sketches of the Reno hotel suite, drawn to convey concept so details vary in the fi nal execution. Center: Two more photographs of the fi nished set, on stage in the US Postal Service warehouse.