Issue link: http://digital.copcomm.com/i/747534
Some ol' fashion' Art Direction using Hollywood for Hollywood by Jess Gonchor, Production Designer The singularity that was Miles Davis by Hannah Beachler, Production Designer Steamy Indonesian jungles and 1980s' Reno by Maria Djurkovic, Production Designer The ugly-cute world of Trolls by Kendal Cronkhite, Production Designer Who doesn't want to make a Western? by Derek Hill, Production Designer Designing the life and times of the worst president ever by Thomas Walsh, Production Designer Rules Don't Apply in the service of a great man by Jeannine Oppewall, Production Designer Imagining what the lives of people in the houses we pass are like by Kevin Thompson, Production Designer The visceral feel of war on Hacksaw Ridge by Barry Robison, Production Designer A simple, low-key design underscores "the crime of being married" by Chad Keith, Production Designer Hail, Caesar! Miles Ahead Gold Designing the Unexpected The Magnifi cent Seven Graves Waiting for Warren Girl on the Train Three Jeeps, Two Trucks and a Tank Loving 4 0 5 0 5 6 6 6 7 6 8 2 9 2 1 0 2 1 0 8 1 1 6 ® contents 6 E D I TO R I A L 9 C O N T R I B U TO R S 1 4 N E W S / A P P R E N T I C E P R O G R A M 1 2 2 C A L E N DA R 1 2 4 P R O D U C T I O N D E S I G N 1 2 6 M E M B E R S H I P 1 2 8 R E S H O OT S ON THE COVER: A paint sketch mounted on an easel in front of its corresponding full- sized drop on the JC Backings paint frames at Sony Studios. This was one of three hand-painted backings used around the tank on Stage 30 at Sony for Hail, Caesar! (Jess Gonchor, Production Designer). All in, there were eight new backings created for the film, painted by Scenic Artist Don MacDonald. The sketch was generated at JC Backings. After Mr. Gonchor approved it, the artists went to work on the large version. P E R S P E C T I V E | N OV E M B E R / D E C E M B E R 2 0 1 6 3