ADG Perspective

March-April 2019

Issue link: http://digital.copcomm.com/i/1072449

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A H S A P O C A L Y P S E | P E R S P E C T I V E 9 1 Season eight would prove to be filled with complicated, daunting and at times, seemingly impossible time constraints. There was limited actor availability, not to mention the constant pressure to carry on the precedent of excellent Production Design established in prior seasons. The day I was brought onto the project, it was two weeks out from day one of principal photography, and Giles Masters was in place as Production Designer for episode one. What a treat it was working with this true master. Giles was in the process of altering and modifying the main set, the Outpost, which had been A. ROBICHAUX EXTERIOR POST-APOCALYPSE. SET PHOTO.

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