Issue link: http://digital.copcomm.com/i/1072449
7 4 P E R S P E C T I V E A I couldn't have been happier with the amazing work produced by the crew on this project, and it was wonderful to work with such an understanding and flexible director and team of producers. In the end, I'm proud that we were able to service Karyn's wonderful vision and bring the story to life. Since wrapping Destroyer, I have been fortunate to design two television shows and one feature film, all the while bringing Emilie to work with me. I am incredibly thankful for the direct support of the directors, producers and showrunners involved in these projects. Although I've encountered a few double-takes and comments like "oh, you're the Production Designer?" with a side glance down to the baby carrier, I've mostly had positive exchanges with crew, men and women alike. It's been an encouraging year. I have to believe that maybe the tide is turning. ADG D A. PALMDALE BANK. SET PHOTO. B. PALMDALE BANK ROBBERY. PRODUCTION STILL. C. INTERIOR OF VACANT CHASE BANK TO BE USED AS THE PALMDALE BANK. SET PHOTO. D. INTERIOR OF THE PALMDALE BANK MODIFIED AND DRESSED FOR SHOOT. SET PHOTO. E. COOL COAST CREAMERY, PHOTOSHOP PREVIS BY KAY LEE. F. COOL COAST CREAMERY ORIGINAL LOCATION. SET PHOTO. G. COOL COAST CREAMERY, DRESSED LOCATION. SET PHOTO. B C