Issue link: http://digital.copcomm.com/i/1043753
3 2 P E R S P E C T I V E | N O V E M B E R / D E C E M B E R 2 0 1 8 " THIS IS A MARVEL, WITH CALEB DESCHANEL'S CLASSY AND ALWAYS LUMINOUS CINEMATOGRAPHY AND SILKE BUHR'S GRANDIOSE SETS BOTH GIVING THE IMPRESSION THAT THE REAL STORY IS ALWAYS LARGER THAN JUST WHAT'S HAPPENING TO THE CHARACTERS." -BOYD VAN HOEIJ, THE HOLLYWOOD REPORTER NEVER LOOK AWAY BEST PICTURE BEST PRODUCTION DESIGN Silke Buhr BEST CINEMATOGRAPHY Caleb Deschanel, ASC T A L I A S p e n c e r A. HELMET MODELED FOR THE SHORT FILM LEVIN OUT OF AUTOMOTIVE SCULPTING CLAY. B. PEN AND INK DRAWING OF A THEME PARK CONCEPT. C. MODO AND PHOTOSHOP RENDERING FOR GULAG 2088. Talia Spencer is a concept artist specializing in environments and sets for sci-fi and fantasy feature film. She studied at Art Center College of Design under the program in entertainment design, and mentored for several years under Rick Carter. She has since worked on a variety of projects including pitches for Dean Israelite, Ryan Belenzon and various theme parks. Her focus is on the visual communication of story and how environments reflect the characters that inhabit them. A B C