Issue link: http://digital.copcomm.com/i/1043753
2 0 P E R S P E C T I V E | N O V E M B E R / D E C E M B E R 2 0 1 8 N B C K A T E L Y N B u d k e An Ohio native, Katelyn grew up with a strong passion for film and theater. Originally going to pursue a career in architecture, Katelyn found the theatre design and production program at the University of Cincinnati's College-Conservatory of Music (CCM) and graduated with a BFA in stage design. During her time at CCM, she worked for the Cincinnati Shakespeare Company, the Williamstown Theatre Festival, New York Stage and Film and the Cincinnati Opera, along with being an art assistant on the feature film Goat. After graduating from CCM, she turned her focus to film and television. Katelyn recently received her MFA in Production Design from the American Film Institute Conservatory. A. SKETCHUP AND PHOTOSHOP RENDER OF MISS HAVISHAM'S DINING ROOM FROM GREAT EXPECTATIONS. B. HAND-DRAWN ELEVATIONS OF MISS HAVISHAM'S DINING ROOM FROM GREAT EXPECTATIONS. C. WHITE MODEL OF CRYPT FROM THE GRAVEYARD BOOK. K R I S T E N B u d k e Kristen grew up in Cincinnati, Ohio, in a family who encouraged the performing arts. She earned a BFA in stage design from the University of Cincinnati's College-Conservatory of Music. Kristen has worked as an Art Department assistant on the feature film Goat, worked as a prop artisan for the Broadway musical Waitress and a props assistant at the Eugene O'Neill Theater Center. She has also worked as freelance scenic painter for the Williamstown Theatre Festival and the Cincinnati Opera. Kristen moved to Los Angeles where she received her MFA in Production Design from the American Film Institute Conservatory. D. ILLUSTRATION OF THE TAVERN FROM INGLORIOUS BASTERDS. DONE IN SKETCHUP, PODIUM AND PHOTOSHOP. E. HAND DRAFTING OF THE TAVERN FROM INGLORIOUS BASTERDS. F. PENCIL SKETCH OF 1960S QUEENS, NEW YORK, HIGH SCHOOL BOYS' LOCKER ROOM. A B C D F E