Issue link: https://digital.copcomm.com/i/990311
movie magic. They got quite an extensive makeover. Working with set decorator Joanne Baker, we kept the furniture and trim in soft whites, while we blasted every other surface with vibrancy and pattern. Diane's side stuck with hot pink and orange. Jack got blues and greens. Adding a little bit of green on her side and a bit of orange on his, made it all work. B Fourth season brought a new addition to the family with baby Devante. In keeping with his older siblings, a rich color palette dominates his room. A warm butter yellow on the walls coordinates with a lively animal print wallpaper, featuring muted oranges, greens and soft browns. Again, white furniture with soft, textured pillows and throws marries the colors together and helps create an inviting space for the baby. In each episode, we get a glimpse into Dre's work environment at the Stevens & Lido (S&L) Advertising Agency. The modern architecture of this set is dominated by walls of glass, monitors and giant, backlit PR posters. These elements help the set have its own inner glow. Limited stage space led me to design the set with very few windows, thus eliminating the need for backings, but requiring more source lighting. A. JACK & DIANE'S ORIGINAL BEDROOM. B. SKETCHUP ELEVATIONS OF JACK & DIANE'S SEASON 3 BEDROOM REMODEL. SKETCHUP DRAWING BY SET DESIGNER ANTHONY BRO. C A D