ADG Perspective

May-June 2018

Issue link: https://digital.copcomm.com/i/974985

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T H E A L I E N I S T | P E R S P E C T I V E 8 7 Croton Reservoir were the gauntlet of challenges thrown by the novel. These were landmarks, most of which are still around today, that needed to not only be seen, but be occupied by the characters in order for the investigation and storytelling to take place. The design of the Williamsburg Bridge was undertaken by Set Designer Noelle King (USA) and Art Director Gergely Rieger (Hungary.) The collective decision was made to build the set outside, fifty feet in the air to allow for practical night-sky shooting and for the scale of the build that was wanted. The set was engineered to allow for some movement in the suspended catwalks so that it could sway with the load of the actors and with the wind. In addition to the catwalk set, the base of the bridge was built, including the port E. PHOTO OF THE SANTORELLI TENEMENT APARTMENT BUILT ON STAGE 3 AT ORIGO STUDIOS. PHOTO BY MARA LEPERE- SCHLOOP. F. ILLUSTRATION OF THE ROOF OF CASTLE GARDENS AT NIGHT BY CONCEPT ARTIST VINCENT MORIN. G. PHOTOGRAPH OF THE INTERIOR OF THE ROOF OF CASTLE GARDENS BUILT ON THE BACKLOT AT ORIGO STUDIOS. PHOTO BY MARA LEPERE-SCHLOOP. D E F G

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