Issue link: https://digital.copcomm.com/i/974985
no separation between the ceiling and the walls, they curved into each other, oftentimes working their way into a one- point perspective that invited one in as if there was something magical at the other end, a fairy tale. Taking the train to Busan, which surely was the name of some 1940s Douglas Sirk film, it was instantly clear that this was the place for the car chase and casino scenes. The rolling hills were reminiscent of Bullitt, shot in San Francisco, and the modern buildings felt international in a James Bond way, all of it surrounded by white sand beaches and beautiful blue water. The one place the scouts wanted to make sure the group visited was the fish market. It was very dense. I've never seen so many fish, in so many varieties. It engaged all of the senses. As we walked through, Ryan looked at me and said, "what if our three characters (Nakia, T'Challa and Okoye) walk through the fish market dressed to the nines and into a high-end casino?" Of C. PRODUCTION DESIGNER HANNAH BEACHLER ON THE WARRIOR FALLS SET. D. GREAT MOUND VIBRANIUM MINE ILLUSTRATED BY RAJ RIHAL USING PHOTOSHOP AND MODO. E. DRAGONFLYER. MODELED BY ART DIRECTOR JOE HIURA IN SOLIDWORKS AND RENDERED IN KEYSHOT. E C D