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C A S Q U A R T E R L Y W I N T E R 2 0 1 8 53 Fisher. The team is now final mixing Pacific Rim Uprising for Legendary Entertainment. Mike Minkler CAS is doing the dts:X mix on the original title Mamma Mia! for Universal Home Video. Mike will be back in April, with sound supervi- sor/mixer Warren Shaw to mix the upcoming Universal feature Mamma Mia! Here We Go Again on Mix 6 with producer Gary Goetzman. Dan Lehay CAS and Steve Pederson CAS wrapped up the first season of Counterpart in Mix 2 for Starz Entertainment before diving in to mixing duties on Amazon's Tom Clancy's Jack Ryan. Mark Fleming CAS and Myron Nettinga CAS keeping the fad- ers flying on Kevin Saves the World for ABC Television, 12 Monkeys and Impulse for NBC, and last but never least, the fifth season of Marvel's Agents of S.H.I.E.L.D. Re-recording TV mixers Jon Cook CAS and Bill Freesh CAS finished up Season 3 of Mr. Robot before kicking off the new year with Falling Water and Superstore for NBC, and Life Sentence for the CW Network. Mix team Nello Torri CAS and Alan Decker CAS on Studio B mixing the first seasons of The Brave and Good Girls for NBC. The team will start mixing the seventh season of Homeland for the Showtime Network next month. Pete Reale and Todd Morrissey CAS mixing Chicago Fire and Chicago P.D. for producer Dick Wolf and will start on the mix for Suits in the next week. and the Leitis and Healing Justice for PBS. It seems like it's been a while since Robert Sharman CAS has checked in, and a lot has happened! He has moved back to Los Angeles and wants to thank Kenny Mantlo, Pud Cusak, Phil Palmer CAS, Julian Howarth CAS, Geoff Patterson CAS, and Roger Stevenson CAS for sending some days of work his way. He mixed a little hor- ror film last summer with good friend and longtime boom operator Richard Bullock CAS, on which they teamed up with Kelly Lewis for utility. They all recently reunited for reshoots and additional photography for that movie, as well as the same for The Nun. He is hopeful that 2018 will be a great year, and is looking forward to reestablishing old relationships and building new ones. Sherry Klein CAS and Scott Weber have just completed Season 2 of The Exorcist on Smart Post Stage 5 in Burbank. They are also mixing the first season of Reverie for NBC and will be picking up Season 4 of Lifetime series Unreal in January. Frank Morrone CAS and Colette Dahanne CAS are mixing Criminal Minds, On My Block, and Unsolved at Technicolor Burbank. Charles R. Hunt CAS finishing 2017 completing production mix of Netflix Luke Cage Season 2, as well as Season 1 of Netflix The Punisher & Amazon's The Big Sick. Karol Urban CAS MPSE and Ross Davis mixed a pilot for Freeform called Now and Then, finished the first half of ABC's Season 14 of Grey's Anatomy, and have just begun mixing Season 7 of Fox's New Girl. At NBC Universal: Mix team Jon Taylor CAS and Frank Montaño just wrapped Fifty Shades Freed on the Hitchcock for director James Foley and picture editor Debra Neil- 2017 has been a busy year for Scott D. Smith CAS and his crew, Jason Johnston (boom) and Michael Capulli CAS (util- ity), with able assistance from Corey Cappelli and Kelsey Zeigler. Directly on the heels of Season 4 of Chicago P.D. for NBC/Universal, Scott and the crew began production of Widows for New Regency, directed by Steve McQueen (Twelve Years a Slave), with a cast including Viola Davis, Liam Neeson, Colin Farrell, and Robert Duvall. It was a pleasant change of pace to work on a movie shot primarily single camera on film—almost forgot what it was like. With no time for a break in- between, shooting resumed for Season 5 of Chicago P.D. in mid-July. Looking to some well-deserved time off next May! Tom Marks CAS and Greg Orloff have been mixing James McTeigue's latest film for Universal Pictures, Breaking In, at Sony in the Cary Grant Theater. Chris Durfy CAS is staying busy in London mixing the Netflix prequels for The Dark Crystal: Age of Resistance until mid-August 2018. You'd never think a Jim Henson Company "puppet show" would be the most complex job of his career to date! Up to 12 life-size characters per scene—each puppet operated by a trio of puppeteers—each needing their own com- munication line—and each with their own mix minus! Let the good times roll! Having delivered AT&T's Mr. Mercedes and the final season of Halt and Catch Fire for AMC, Keith Rogers CAS (fresh off his Emmy win for Westworld Season 1) and Andy King CAS recently completed mixing the Netflix sci-fi thriller Altered Carbon in Dolby Atmos at South Lake Audio. They're currently mixing Season 2 of NBC's Taken between South Lake Audio Stage A and Deluxe's Seward Stage 5. The team will begin Westworld Season 2 this March at Universal which will also be mixed in Dolby Atmos. Philip Perkins CAS completed mixes for the A+E series The Menendez Murders: Erik Speaks and mixed the doc features Joey