Post Magazine

www.postmagazine.com 34 POST NOVEMBER 2017 FOLEY SUBLIMINAL SOUND USING SUBTLE FOLEY DETAILS TO ADD DEPTH TO A STORY BY JENNIFER WALDEN Wonderstruck (top) and Knightfall.

• Cover
• EDITOR'S LETTER Super-sized VFX By Linda Romanello
• THE ONLINE Beyond Asgard By Marc Loftus
• BITS & PIECES What's new in post production
• DIRECTOR'S CHAIR Taika Waititi on Thor: Ragnarok By Iain Blair
• POST PARTY WRAP-UP Our annual celebration in NYC
• SPECIAL SECTION: WORKSTATIONS & PROCESSORS Power to the People — Processors are the driving force behind the workstation By Jon Peddie
• BRINGING BIG-SCREEN GANGSTERS & GHOULS BACK TO LIFE Scarface and Night of the Living Dead get 4K picture and sound restorations By Christine Bunish
• SOUND DESIGN: BLADE RUNNER 2049 Film composer Theo Green on his atmospheric, layered ambiences By Jennifer Walden
• SUBLIMINAL SOUND Using subtle Foley details to add depth to a story By Jennifer Walden
• REVIEW Boxx Apexx 4By Paul Schmutzler
• PEOPLE Keeping tabs of the industry's movers & shakers
• THOR: RAGNAROK —LAYING DOWN THE HAMMERVFX studios collaborate with super Jake Morrison for Marvel's most ambitious effort yet By Linda Romanello