Issue link: https://digital.copcomm.com/i/908245
C A S Q U A R T E R L Y F A L L 2 0 1 7 41 Eventually, thoughts turned to tighter schedule expectations and how they impact the soundtrack. Steve Rivkin pointed out, "Once you do a major feature in 12 weeks, producers expect it every time." The entire sound department chain lamented that they are seeing time eliminated from their schedules. For example, on set, rehearsals are being eliminated which may lead to missed cues, which makes for additional editorial work in either searching for alternate takes or costly ADR, which can take more time on the dub stage to match back into production. INTERNAL BACKUP RECORDING capture quality back-up audio in the most hostile RF environment ZHD MODULATION a 50 KHz wide signal spaced as close as 100 KHz apart with outstanding transmission distance 100 MHZ WIDE-BAND DIGITAL RECORDING WIRELESS TRANSMITTER TRXLA3 QRX200 200 MHZ WIDE-BAND RECEIVER WITH ENHANCED RANGE AND AUTOMATIC TRACKING FRONT END FILTER DIGITAL MODULATION 100% digital modulation for superior quality ENCRYPTED AUDIO keeps transmitted audio private zaxcom.com | 973-835-5000 THE STANDARD IN SOUND, EVOLVED THE ULTIMATE IN RECEIVER FLEXIBILITY C M Y CM MY CY CMY K Zaxcom_TRX-QRX_HR.pdf 1 5/9/16 11:17 AM Moderator Karol Urban CAS MPSE (left), Jesse Ehredt, Steve Tibbo CAS, Scott Millan CAS, Ed Moskowitz CAS, Teri Dorman, and Steve Rivkin ACE for CAS-sponsored panel "From Mic to Mix." Photo: Mel Lambert The New Audio Workflow: Building a Technology Backbone for Immersive Audio Production, Distribution Moderator: Jonathan Deans Panelists: Bill Johnston, Brian Riordan, Kurt Howell, Marti Humphrey CAS, Jeremy Davis Moderated by Westlake Pro Chief Technology Officer Jonathan Deans, panelists discussed everything from how to set up workflows for switching between multiple immersive formats to how they meet the demands of new consumer technologies. Dante has become a very popular and robust format in both production and post production for interfacing many channels of media. Marti Humphrey CAS was quick to point out that with his setup, "We can change formats by pressing a button—all formats, Dolby Atmos, Auro, IMAX, etc." Panel discussion. Photo: David Bondelevitch CAS MPSE