CAS Quarterly

Summer 2017

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8    S U M M E R 2 0 1 7     C A S   Q U A R T E R L Y FROM THE EDITORS... Matt Foglia CAS Karol Urban CAS MPSE FROM THE EDITORS... FROM THE EDITORS... As sound practitioners, we're all reliant on content to apply our craft to. With an increase in consumer-viewing outlets and expanded international distribution, the media we work on has the potential to reach an even broader viewership than ever before. However, with the dramatic increase in available content, it's highly possible our projects will be seen by fewer eyes—and make fewer dollars. These real concerns affect all who create and produce media content. In this issue, Karol Urban CAS MPSE provides some takeaways from the PGA's 9th Annual "Produced By" Conference, sharing information we should be aware of as sound professionals. Speaking of sound professionals, we are thrilled to announce this year's CAS Career Achievement Award honoree, re-recording mixer Anna Behlmer. Be sure to check out her biography and selections from her impressive credits list in these pages. Also in this issue, Devendra Cleary CAS baits us with his article titled "What Shotgun Mic Should I Buy?" while David Bondelevitch CAS MPSE provides his thoughts on some interesting gear he came across at this year's NAB. Karol Urban sits down with re-recording mixer Lou Solakofski to discuss Hulu's hit series The Handmaid's Tale. John Warrin MPSE gives us some inside feedback on the latest release of iZotope's highly acclaimed RX software, RX6. Dorothea Sargent and Steve Urban MPSE report in from this year's MPSE and CAS Annual Golf & Poker Tournament. Also, be sure to explore the adventures of our "You Just Can't Make This Stuff Up" submitters. As always, you can read about the projects your sound friends are working on in the "Been There Done That" section and check out some photos in their "Lighter Side" submissions. Finally, Jim Corbett CAS remembers friend, colleague and CAS Career Achievement Award recipient, re-recording mixer Richard Portman. The CAS Quarterly is produced as a service to our members on a voluntary basis. If you are a member and would like to contribute an article—whether on the production or post-production side—please let us know. Additionally, we greatly appreciate and want your feedback and suggestions—so send them in! Email us at CASQuarterly @CinemaAudioSociety.org. Finally, don't forget that our sponsors are professionals like you who understand the business and needs of our industry. We encourage your commitment to them. FROM THE EDITORS... OFFICERS President: Mark Ulano CAS Vice President: Phillip Palmer CAS Secretary: David J. Bondelevitch CAS MPSE Treasurer: Peter R. Damski CAS BOARD OF DIRECTORS OFFICE MANAGER Carol Thomas EDITORS Matt Foglia CAS Karol Urban CAS MPSE PUBLISHER IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 QUESTIONS OR COMMENTS: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org ADVERTISING: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com Bob Bronow CAS Willie Burton CAS Peter Devlin CAS Tom Fleischman CAS Edward J. Greene CAS Tomlinson Holman CAS Sherry Klein CAS Mary Jo Lang CAS Lee Orloff CAS Lisa Piñero CAS Glen Trew CAS Karol Urban CAS MPSE Steve Venezia CAS Mathew Waters CAS Jeff Wexler CAS ©2017 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission. As sound practitioners, we're all reliant on content to apply our craft to. in consumer-viewing outlets and expanded international reach an even broader viewership than ever before. provides some takeaways from the PGA's 9th Annual year's CAS Career Achievement Award honoree, re-recording mixer Anna Behlmer. Be sure to check out FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS... FROM THE EDITORS...

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