CAS Quarterly

Fall 2016

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ultimately, across the Sahara Desert. He is also the supervising sound editor and re- recording mixer for the indie feature Wish for Christmas, a family-friendly Christmas film that was picked up by Universal and will be streaming online through the holidays. In addition to his production sound career— James Ridgley CAS will be directing his first feature film, starting in November, from a script he wrote. James is extremely excited and happy to announce that the bril- liant Academy Award nominee and Golden Globe winning-actress Sally Kirkland will be in the lead role. Steven A. Morrow CAS has just wrapped up the first six episodes of G.L.O.W. for Netflix, Craig Dollinger (boom) and Michael Kaleta (utility) will round out the team for their next feature, called LAbyrinth, shooting in Los Angeles. The three are also very excited to watch La La Land in theaters this December, as they had a great time mak- ing the film. Scott D. Smith CAS and his crew Jason Johnston (boom) and Michael Capulli CAS (utility) continue to forge ahead on Season 4 of Chicago P.D. for Dick Wolf Productions, with capable assis- tance from Dave Thomas, Kelsey Zeigler, Patrick Bresnahan, Sharon Frye, and Juliana Armbrust. They are also pleased to have Corey Capelli join them this season as key intern, helping to wrangle the endless array of Comteks, slates, IFBs, and other other equipment. With six other productions working out of the same facility at the Cinespace Studio lot, it has made for a challenging situation in regards to RF coordination, but despite the odds, they have managed to make it work for all. It has been a busy fall for Gavin Fernandes CAS. Versailles Season 2 is finishing off for Ovation/Canal+, HBO Big Little Lies is well underway, and Bon Cop, Bad Cop 2 starts early in the year. Brendan Beebe CAS just finished American Horror Story Season 6, where they went into "Reality Mode." Both camera operators and Brendan were incorpo- rated into the show, falling victim to "The Butcher." Brendan appreciates the work by mid-July, Aron and Matt went on to start Season 1 of FOX TV's 24: Legacy in early September with Matt moving to boom and Nik Waddell working the show as utility. It will begin airing February 2017 after the Super Bowl. Jürg von Allmen CAS is mixing the fifth season of the most successful swiss crime series of all time, The Undertaker, at Digiton Zürich. In November, Jürg will mix Secrets of the Yeniche Music, directed by Martina Rieder and Karoline Arn. The film highlights the roots of the Yeniche music in Switzerland and the scandal of their suffering under a program that removed almost 600 children from their parents and institutionalized them in orphanages, mental institutions, and prisons. At Santisound, Rick Santizo CAS mixed The Icarus Line Must Die, which is headed to the festival circuit. Directed by Michael Grodner, it's a fictional film about Highland Park band Icarus Line. Michael Malerba MPSE finished eight episodes of Oscar Mike, a show dedicated to veterans and their post-war careers, debuting on go90 from Verizon. ADR has also kept Santisound busy, including five episodes of Tig Notaro's One Mississippi on Amazon. Next up, Rick will be mixing the film Nathan's Kingdom, which features an autistic lead actor. It's an imaginative, coming-of-age drama that explores the world through Nathan's imagi- nation. Some recent projects that Woody Woodhall CAS has been supervising sound editing and re-recording mixing—the first season of Ozzy & Jack's World Detour for the History Channel, following his- tory buff/rock star Ozzy Osbourne and his son Jack, as they explore Cuba, Japan, Stonehenge and much more; the first season of Hollywood & Football for E! Network, following players on the Rams football team as they transition to Los Angeles from St. Louis, as well as the first season of Ink, Paper, Scissors for BET. He has also posted two feature documentaries, After Auschwitz, following six female Holocaust survivors, as they made the transition from the camps to making new lives and ultimately, gen- erations of new families in California, and also Hitchhiking to the Edge of Sanity, which revisits a trip taken by two journalists when they were young men in 1970, hitchhiking a 2,700-mile trip through Europe, Africa, and Karol Urban CAS MPSE is mixing Grey's Anatomy Season 13 with Gary DeLeone, as well as Notorious with Ross Davis at Westwind Media. Devendra Cleary CAS, joined by boom operators Josh Bower and Tanya Peel, com- pleted Season 3 of Murder in the First for TNT. Sadly, this show will not be returning for Season 4, but we will get that band back together on another project soon! In the meantime, Scott LaRue has joined the team with Tanya Peel and myself on Season 3 of The Last Man on Earth for 20th Century Fox TV. We are having a blast with this amaz- ing group of talented people. The usual two booms and lot of wireless, with the not-so- usual for single camera: Fisher boom work- ing on our main set. Greg P. Russell CAS and Tom Marks CAS recently finished the mix for Scott Waugh's latest film, 6 Below, on Stage 1 at Technicolor. At Smart Post Sound, Sherry Klein CAS and Lisle Engle are working on Falling Water for USA and Bull for CBS. Next up is the second season of Flaked for Netflix, mixing at Roundabout. Brett Grant-Grierson CAS is wrapping up another great year having been on some fun shows. On Longmire in New Mexico, Brett worked with boom op Chris Diamond and local utility Daniel Carlton. These guys made a tough show a pleasure and made the daily challenges into a fun collaboration. On Scream Queens for Fox TV, another fun project, Brett worked with boom operator Josh Bower and utility Chris Silverman on the Paramount Lot. A lot has been happening at the new stages at Southlake Audio Services at Roundabout Entertainment. Keith Rogers CAS and Scott Weber have had a busy summer/ fall mixing HBO's Westworld, Season 3 of AMC's Halt and Catch Fire, as well as The Exorcist for Fox and Frequency for WB/CW. Aron Siegel CAS wrapped Season 3 of AMC's Halt and Catch Fire with boom op CAS Associate Allen Williams and sound utility Matt Derber in July. While Allen joined The Walking Dead sound crew in 68 F A L L 2 0 1 6 C A S Q U A R T E R L Y

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