CAS Quarterly

Summer 2016

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10 S U M M E R 2 0 1 6 C A S Q U A R T E R L Y Cinema Audio Society President Mark Ulano announced that the organization will honor multiple CAS Award- and Oscar ® -nominated sound mixer John Pritchett CAS with the Cinema Audio Society's highest accolade, the CAS Career Achievement Award, to be presented at the 53rd CAS Awards on Saturday, February 18, 2017, Omni Los Angeles Hotel at California Plaza—Bunker Hill Ballroom, Los Angeles, California. "It's truly an honor to announce the selection of John Pritchett by the CAS for our Career Achievement Award at this year's 53rd Annual CAS Awards. John is the consummate 'Mixer's Mixer' with a widely diverse career in film and television. His collaboration with direc- tors such as Robert Altman, Paul Thomas Anderson, and Richard Linklater and many others on over one hundred projects is a port- folio of excellence and innovation. He's a winner of the prestigious CAS Award for his mixing work and is also multi-nominated by his peers at the Academy of Motion Pictures and the British Academy as well, signifying his well-earned reputation for creative excellence. John Pritchett is a beloved figure and has generously given back to the sound community for many years as a noted mentor and sup- porter of many of our best practitioners in the field. I take great pleasure in announcing the CAS's recognition of John and his terrific body of work." Pritchett, who was born in Santa Monica, California, was discov- ered by director Robert Altman while working as a recording engi- neer in Dallas, Texas. Pritchett made seven pictures with Altman, including The Player, Short Cuts, and Kansas City. He was the second soundman in Hollywood to go digital, with Altman's Short Cuts in 1993. Known for his successful working relationships with some of Hollywood's most creative directors, Pritchett has made four mov- ies with director Lawrence Kasdan, including Wyatt Earp and French Kiss; four with writer-director David Mamet, including The Spanish Prisoner and State and Main; three with writer/director Paul Thomas Anderson, Magnolia, There Will Be Blood, and Inherent Vice; and two films with Oliver Stone, World Trade Center and W. He was also the sound mixer on such hits as 2006's The Break-Up, 2000's Miss Congeniality, and 1987's Dirty Dancing. Twice nominated for an Academy Award, in 2006 for Memoirs of a Geisha and in 2003 for Road to Perdition, Pritchett was also nominated for a CAS Award for both films and won in 2003. He was nominated for a BAFTA Film Award in 2007 for There Will Be Blood. His 102nd film, Everybody Wants Some!! for director Richard Linklater, continues his reputa- tion for expertise in handling complex technical requirements during production. "People hire me because my team and I are able to get the sound needed with the least disruption," said Pritchett. Pritchett joins an illustrious group of past CAS Career Achievement honorees that includes Don Rogers, Walter Murch, Les Fresholtz, Tomlinson Holman, Richard Portman, Jim Webb, Charles Wilborn, Gary Rydstrom, Willie Burton, Mike Minkler, Ed Greene, Randy Thom, Jeffrey S. Wexler, Scott Millan, Chris Newman, Andy Nelson, David Macmillan, and Doc Kane.• C C C Cinema Audio Society President Mark Ulano announced C inema Audio Society President Mark Ulano announced that the organization will honor multiple CAS Award- and C that the organization will honor multiple CAS Award- and Oscar C Oscar ® C ® -nominated sound mixer John Pritchett CAS with C -nominated sound mixer John Pritchett CAS with the Cinema Audio Society's highest accolade, the CAS C the Cinema Audio Society's highest accolade, the CAS Career Achievement Award, to be presented at the 53rd C Career Achievement Award, to be presented at the 53rd PRODUCTION SOUND MIXER John Pritchett to be honored with CAS Career Achievement Award

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