Issue link: https://digital.copcomm.com/i/713016
the Barbed Wire Trio, and the computer network band The Hub. Gavin Fernandes CAS is gearing up for a busy year. First up is Versailles for Ovation/Canal+. Time where he will try out his new Fab notch and some new verbs. Then, he's onto HBO's Big Little Lies. Somewhere in there, Gavin will make time for the documentary Ti-Anna - Inside These Walls. Steve Weiss CAS is on his fourth season mixing Major Crimes for TNT, with Vince Schelley on boom and Dennis Carlin handling utility chores. Marlowe Taylor CAS was the produc- tion mixer for features 478 and Curvature. He is now in prep for the feature Gotti. Andy Hay CAS is currently closing out a fantastic broadcast season on Stage 5 at Technicolor alongside FX mixer Ken Burton CAS. It's been a busy year mixing for The Originals, Criminal Minds, Angie Tribeca, Togetherness, Blood & Oil, and Looking. Up next is Berlin Station for Paramount/Epix, followed by When We Rise for Gus Van Sant. This September marks a return to Andy's first love: movies! He's tran- sitioning over to the feature depart- ment at Technicolor as supervisor and re-recording mixer. Up first is Adam Wingard's Death Note for Netflix—a US adaptation of the beloved Japanese anime. Wingard's thriller The Woods will be released September 16 in which Andy also supervised and mixed for Lionsgate at Technicolor earlier this year. He'd like to personally thank Jackie Jones for bringing him to Technicolor last year, and a huge thanks to Doug Kent and Jeff Eisner and all of the amazing supervisors and mixers and clients he's had the pleasure of working with at his new home. things and some projects on Honda and Hyundai (but I hate to give them plugs). From transgender model shows to Hershey's Kisses commercials, business is great! In the downtime, James has four producers interested in a few screenplays he has written. Brett Grant-Grierson CAS started in 2016 with a wrap on The Last Man on Earth and a busy pilot season, includ- ing Marvel's 19 with Josh Bower and Tanya Peel. Then, onto a very windy and dusty Season 5 on Longmire in Santa Fe, New Mexico. A huge thanks goes to Chris Diamond on boom and local utility Daniel Carlton. It is a fun show with a great cast and crew, crazy location moves, and extreme weather changes all in one day! Then, Brett came back to Los Angeles for the second half of the year to start Season 2 of Scream Queens, joined by Josh Bower and Chris Silverman. Robert Sharman CAS moved to England two years ago. He's loving it but starting over in a new market has been a challenge. He mixed The Infiltrator, which shot in England for Tampa, with great boom op Tom Harrison and 2nd boom Jo Vale. He also mixed a nice series for Sky1, Agatha Raisin, and the UK portion of The Conjuring 2 for New Line, with Jo moving up to 1st boom on both, and Dave Thacker on 2nd boom. Now, he's back in the United States for a couple of months for another quick New Line horror movie, Annabelle 2, with my good friend and boom op, Richard Bullock, and another longtime friend, Tanya Peel on 2nd boom. He is quite enjoying the LA visit, and thinking he'll likely be mak- ing the back-and-forth trips a regular thing. Philip Perkins CAS is grateful for a very busy 2016 so far. He completed mixes for PBS docs Paying the Price for Peace, Company Town, A Bitter Legacy, Arc of Justice, Uplift America, and Good Girl, as well as production sound for docs The Long View, West Coast Jazz, and Norman Mineta, and location music recording with Charles Lloyd and Jason Moran,